New Music That I've Been Too Lazy to Write About
Since its release date in May I've been trying to put into words my love for Spoon's newest album, Gimme Fiction. Allmusic has a very good review. And by "very good" I mean that it mostly agrees with mine. She gives it four out of five stars, but I give it six out of five, so together we average five of five.
One of my favorite songs is My Mathematical Mind, in which Britt Daniel repeatedly sings:
My mathematical mind can see the breaks
I'm gonna stop riding the brakes
But the song has a steady six-eight time signature. As layer upon layer of instruments, driven by chainsaw guitars and crashing cymbals, raise the tension, the beat stays rock-solid. It reaches near-cacaphony when horns enter the mix and bring order to the sound, until it plays out to a calm piano. The song literally "rides the brakes," mirroring the lyrics. To me, that's beautiful and witty.
I want to believe that Gimme Fiction will be this year's Yankee Hotel Foxtrot, and this underrated band will finally get the attention it deserves. Maybe it will when Spoon returns from Europe to begin their North American tour.
I like the latest from the White Stripes, Get Behind Me Satan, although I wish there were more guitar than piano. (Only three songs feature Jack's amazing guitar.) And Blue Orchid, the first single, reminds me a lot of his work with Electric Six. (While you're at their website, check out the beautiful, disturbing, thrilling video, too.)
I find there's a lot to chew on in Satan. As with Elephant, its complexity belies the White Stripes' primitivist persona. Little Ghost is a fun, footstomping bluegrass lovesong to a specter. Take, Take, Take is a rocker about the greed of fans. Instinct Blues satisfies my lust for Jack's blues chops, like Ball and Biscuit did on Elephant. The album ends with a laugh in the country ballad I'm Lonely (But I Ain't That Lonely Yet).
Anyway, I like the album a lot. Funksoulbruvva Pat and I have tickets to see Jack and Meg perform it at the Masonic in Detroit in October. By the way, is it just me or does the title sound Spinal Tap-ish?
I'm a sucker for power pop, so I bought Ex-Girlfriends, the debut cd from Low Millions. Unfortunately, there's too little power in this pop. The band was manufactured to support Adam Cohen, the gifted singer-songwriter who happens to be the son of Leonard Cohen. Frankly, I hear the ghost of Donny Iris on this album. I like Eleanor and Low Millions (song title = band name), but Cohen probably needs to go out on his own.
Woman King, the EP from Iron & Wine (a.k.a. Samuel Bean) is purely gorgeous acoustic folk rock. His voice reminds me of Dan Fogleburg's in its subdued intensity. His lyrics are romantic, with lots of references to "my lady." It could be cheesy, but it's surrounded by lilting melody, hand-held percussion and soaring harmonies. Works for me, anyway.
My neighbor Jamie, a cofounder of Great Lakes Myth Society, hooked me up with a promo of their first (self-titled) cd. GLMS does for Michigan what Fairport Convention did for England: their folk-based pop tells romantic tales of Michigan's past. Railroads, lumbering, shipping, the Upper Peninsula and the Great Lakes themselves infuse every track, whether they're the actual subject or not. The gorgeous Across the Bridge is my favorite on the album. The bridge is the Mackinac Bridge, of course, and the song is a joyful ode to the Upper Peninsula, about the warmth that comes from belonging to place. And when they sing, "If you don't know where we are/We'll light a lantern at the bar," they want you to belong, too.
I'm hoping that GLMS will move beyond explicitly historical songs, like No. VI, where we learn that Novi, Michigan was originally just a Roman-numeraled railroad stop. It subsitutes an interesting historical tidbit for the romance and myths that they evoke elsewhere.
It's my personal loss that I haven't gone to their local shows at the Blind Pig and the Elbow Room; they're taking August off to work on their next album.
I never thought Coldplay could be boring. Then I listened to X & Y. In fact, I keep trying to listen to it but I can't keep it in the cdplayer long enough.
Okay -- enough with my amateur record reviews. Go get Gimme Fiction and let's rave about Spoon.













