1: Music of the 20th-century in interdisciplinary perspective (English)
2008	Messiaen’s Explorations of Love and Death: Musical  Signification in the “Tristan Trilogy” and Three Related Song Cycles (Hillsdale, NY: Pendragon Press), 288 pp.  [Contents]
2007	Messiaen’s Contemplations of Covenant and Incarnation: Musical Symbols of Faith in the Two Great Piano Cycles of the 1940s (Hillsdale, NY: Pendragon Press), 296 pp. [Contents]
2005	The Musical Order of the World: Kepler, Hesse, Hindemith (Hillsdale, NY: Pendragon Press), 256 pp. [Contents]
2003	Saints in the Limelight: Representations of the Religious Quest on the Post-1945 Operatic Stage (Hillsdale, NY: Pendragon), 635 pp. [Contents] [Works discussed][Saints discussed]
2000	Musical Ekphrasis: Composers Responding to Poetry and Painting (Hillsdale, NY: Pendragon), 667 pp. [Contents][Essay, short version] [Essay, long version]
2000	Musical Ekphrasis in Rilke's MARIENLEBEN (Amsterdam: Rodopi), 235 pp. --- [Contents]
1998	The Temptation of Paul Hindemith: Mathis der Maler as a Spiritual Testimony (Stuyvesant, NY: Pendragon), 407 pp.
1997	Images and Ideas in Modern French Piano Music: The Extra-musical Subtext in Piano Works by Ravel, Debussy and Messiaen (Stuyvesant, NY: Pendragon), 432 pp.

2: Music of the 20th-century in interdisciplinary perspective (German)
2008	Messiaens ‘Summa theologica’:  Musikalische Spurensuche mit Thomas von Aquin in La Transfiguration de Notre Seigneur Jésus-Christ, Méditations sur le mystère de la sainte Trinité, und Saint François d’Assise    (Waldkirch, Germany: Edition Gorz), 268 pp. [Contents]
2007	Olivier Messiaen, Troubadour: Liebesverständnis und musikalische Symbolik in Poèmes pour Mi, Chants de terre et de ciel, Trois petites Liturgies de la présence divine, Harawi, Turangalîla-Sinfonie und Cinq Rechants (Waldkirch, Germany: Edition Gorz), 322 pp. [Contents]
2006	Messiaens musikalische Sprache des Glaubens: Theologische Symbolik in den Klavierzyklen Visions de l’Amen und Vingt Regards sur l’Enfant-Jésus (Waldkirch, Germany: Edition Gorz), 330 pp. [Contents]
2005	Christus als Opernheld im späten 20. Jahrhundert (Waldkirch, Germany: Edition Gorz), 296 pp. [Contents] [Works discussed]
2004	Das tönende Museum: Musik des 20. Jahrhunderts interpretiert Werke bildender Kunst (Waldkirch, Germany: Edition Gorz), 252 pp. [Contents]
1997	Musikalische Symbolik in Olivier Messiaens Weihnachtsvignetten. Hermeneutisch-analytische Untersuchungen zu den Vingt regards sur l'Enfant-Jésus (Frankfurt etc.: Peter Lang), 253 pp. [Contents]
1986	Die musikalische Darstellung psychologischer Wirklichkeit in Alban Bergs Wozzeck [Alban Berg's Musical Representation of the Psychological Aspects in the Opera Wozzeck] (Frankfurt etc.: Peter Lang), 450 pp. Published with a Distinction-in-Scholarly-Research Grant from the Alban Berg Stiftung, Vienna.

3: Performance pratice in 18th- and 19th-century music
2006	J. S. Bachs Wohltemperiertes Klavier: Analyse und Gestaltung (Waldkirch, Germany: Edition Gorz), 580 pp. [Contents]
1993	J. S. Bach's Well-Tempered Clavier: In-depth Analysis and Interpretation, 4 volumes (Hong Kong: MAINER International Ltd), 264 + 250 + 248 + 260 pp. [Text]
1989	Guidelines to Piano Interpretation (Penang, Malaysia: Penerbit Muzikal), 208 pp. - Chinese translation (Taipei: International Piano Teaching Foundation of Taiwan, 1992) - Polish translation (Warsaw: Publications of the Frédéric Chopin Academy of Music, 1994)
1981	Die Kunst musikalischer Gestaltung am Klavier: Gestaltungskriterien und Gestaltungsmittel in Bach'scher und klassischer Klaviermusik [Performance Practice in 18th-century Piano Music] (Frankfurt etc.: Peter Lang), 152 pp.

4: Books in progress
*	Messiaen’s Interpretations of Holiness and Trinity: Echoes of Medieval Theology in His Oratorio, Organ Meditations, and Opera ((Hillsdale, NY: Pendragon Press, projected for 11/2008), 230 pp.  [Contents] [Libretto]

5: Textbooks, commissioned for the Hong Kong Piano Teachers Association
1992	Creative Piano Instruction for Small Children, 2 volumes (Penang, Malaysia: Penerbit Muzikal), 127 pp.
1990	How to Play Bach's Little Piano Pieces (Penang, Malaysia: Penerbit Muzikal), 87 pp. - Chinese translation (Taipei: International Piano Teaching Foundation of Taiwan, 1994

Siglind Bruhn also serves as editor of works in the humanities at large. Books she has shepherded include Po-shan Leung's study on the concept of "Eigentlichkeit" in Heidegger, Eigentlichkeit als Heideggers Wegmotiv: Von Sein und Zeit zur Seinsgeschichte (Edition Gorz 2007), Victoria Adamenko's investigation of the role of mythification in compositional processes, Neo-Mythologism in Music - From Scriabin and Schoenberg to Schnittke and Crumb (Pendragon Press 2007), Mathieu Schneider's study of the complex relationships between music and literature in the symphonic works of Richard Strauss and Gustav Mahler, Destins croisés (Edition Gorz 2006), Uta-D. Rose's inquiry into the relevance of Hannah Arendt's thought for the current debate between liberalism and communitarism, Die Komplexität politischen Handelns (Edition Gorz 2005), and Kristin Rygg's Masqued Mysteries Unmasked: Early Modern Music Theater and Its Pythagorean Subtext (Pendragon Press 2000). The two studies in French and German, like all books published by Edition Gorz, can be read on line or purchased in book form. More information about Edition Gorz, a European paperback and online publisher in the humanities, is available in German, French, Spanish, and English.