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1:
Interdisciplinary Studies
in 20th-century Music (English)
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| 2011 |
Frank
Martin’s Musical
Reflections on Death
(Hillsdale, NY: Pendragon Press), 300 pp. |
2008
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Messiaen’s
Interpretations of Holiness and
Trinity:
Echoes of Medieval
Theology in His Oratorio, Organ Meditations, and Opera
(Hillsdale,
NY: Pendragon Press), 230 pp. [Contents] [Review
Dingle]
[Review Fallon]
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2008
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Messiaen’s
Explorations of Love and Death:
Musical
Signification in the “Tristan Trilogy” and Three Related Song Cycles
(Hillsdale, NY: Pendragon Press), 288 pp. [Contents] [Review
Dingle]
[Review
Benitez] |
2007
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Messiaen’s
Contemplations of Covenant and Incarnation:
Musical Symbols of
Faith in the Two Great Piano Cycles of the 1940s
(Hillsdale,
NY: Pendragon Press), 296 pp. [Contents]
[Review
Dingle]
[Review
Benitez] |
| 2005 |
The
Musical Order of the World: Kepler, Hesse, Hindemith
(Hillsdale, NY: Pendragon Press), 256 pp. [Contents] |
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2003
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Saints
in the Limelight: Representations of the Religious
Quest on
the Post-1945 Operatic Stage
(Hillsdale, NY: Pendragon), 635 pp.
[Contents] [Works discussed][Saints discussed]
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2000
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Musical
Ekphrasis: Composers Responding to Poetry and Painting
(Hillsdale, NY: Pendragon), 667 pp.
[Contents][Essay, short
version] [Essay, long
version]
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| 2000 |
Musical
Ekphrasis in Rilke's MARIENLEBEN
(Amsterdam: Rodopi), 235 pp. --- [Contents]
[Hindemith-Jahrbuch
Table
of Contents 1971-present] |
| 1998 |
The
Temptation of Paul Hindemith: Mathis der Maler as a Spiritual Testimony
(Stuyvesant, NY: Pendragon), 407 pp. [Hindemith-Jahrbuch
Table
of Contents 1971-present] [Review
Clifton]
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| 1997 |
Images
and Ideas in Modern French Piano Music: The Extra-musical
Subtext
in Piano Works by Ravel, Debussy and Messiaen
(Stuyvesant, NY: Pendragon), 432 pp. [Review
Briscoe]
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2: Interdisciplinary
Studies in 20th-century Music
(German and French)
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| 2013 |
Die Musik von Jörg Widmann
(Waldkirch, Germany: Edition Gorz), 244 pp. [Contents] |
2012
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Hindemiths große
Instrumentalwerke
(Waldkirch, Germany: Edition Gorz), 356 pp. [Contents]
[Hindemith-Jahrbuch
Table
of Contents 1971-present] |
2010
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Hindemiths große Vokalwerke
(Waldkirch, Germany: Edition Gorz), 312 pp. [Contents]
[Hindemith-Jahrbuch
Table
of Contents 1971-present] |
2009
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Hindemiths große Bühnenwerke
(Waldkirch, Germany: Edition Gorz), 275 pp. [Contents]
[Hindemith-Jahrbuch
Table
of Contents 1971-present] |
2008
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Les
Visions d’ Olivier Messiaen
(Paris:
L’Harmattan), 346 pp.
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2008
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Messiaens ‘Summa theologica’:
Musikalische
Spurensuche mit Thomas von Aquin in La
Transfiguration de Notre
Seigneur Jésus-Christ, Méditations sur le mystère
de la sainte Trinité, und Saint François
d’Assise
(Waldkirch, Germany: Edition Gorz), 268 pp. [Contents]
[Libretto] |
| 2007 |
Olivier
Messiaen, Troubadour: Liebesverständnis und musikalische
Symbolik in Poèmes pour Mi, Chants de terre et de ciel,
Trois petites Liturgies de la présence divine, Harawi,
Turangalîla-Sinfonie und Cinq Rechants
(Waldkirch, Germany: Edition Gorz), 322 pp. [Contents] |
| 2006 |
Messiaens
musikalische Sprache des Glaubens: Theologische Symbolik in
den
Klavierzyklen Visions de l’Amen und Vingt
Regards sur
l’Enfant-Jésus
(Waldkirch, Germany: Edition Gorz), 330 pp. [Contents]
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2005
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Christus
als
Opernheld im späten 20. Jahrhundert
(Waldkirch, Germany: Edition Gorz), 296 pp.
[Contents]
[Works
discussed]
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2004
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Das tönende
Museum: Musik des 20. Jahrhunderts interpretiert Werke
bildender
Kunst
(Waldkirch, Germany: Edition Gorz), 252 pp.
[Contents]
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| 1997 |
Musikalische
Symbolik in Olivier Messiaens Weihnachtsvignetten.
Hermeneutisch-analytische Untersuchungen zu den Vingt regards
sur
l'Enfant-Jé
(Frankfurt
etc.: Peter Lang), 253 pp. [Contents]
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1986
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Die
musikalische Darstellung psychologischer
Wirklichkeit in Alban Bergs Wozzeck
[Alban Berg’s Musical Representation of the
Psychological Aspects in the Opera Wozzeck]
Published with a Distinction-in-Scholarly-Research Grant from the Alban
Berg Stiftung, Vienna.
(Frankfurt etc.: Peter Lang), 450 pp.
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3:
Performance Pratice in 18th- and 19th-century
Music
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| 2006 |
J.
S.
Bachs Wohltemperiertes
Klavier: Analyse und Gestaltung
(Waldkirch,
Germany: Edition Gorz), 580 pp. [Contents] |
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1993
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J. S. Bach’s
Well-Tempered
Clavier: In-depth Analysis and
Interpretation, 4 vols.
(Hong Kong: MAINER International Ltd), 264 + 250 + 248 + 260 pp. [Text]
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1989
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Guidelines
to Piano Interpretation (Penang,
Malaysia: Penerbit Muzikal), 208 pp.
- Chinese translation (Taipei: International Piano Teaching Foundation
of Taiwan, 1992)
- Polish translation (Warsaw: Publications of the
Frédéric Chopin Academy of Music, 1994)
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1981
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Die
Kunst musikalischer Gestaltung am Klavier:
Gestaltungskriterien und Gestaltungsmittel in Bach’scher und
klassischer Klaviermusik [Performance Practice in
18th-century
Piano Music]
(Frankfurt etc.:
Peter Lang), 152 pp.
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4: Textbooks, commissioned
for the Hong Kong Piano
Teachers Association
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1992
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Creative
Piano Instruction for Small Children,
2 volumes
(Penang, Malaysia: Penerbit Muzikal), 127 pp.
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1990
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How
to Play Bach’s Little Piano Pieces
(Penang,
Malaysia: Penerbit Muzikal), 87 pp.
- Chinese translation (Taipei: International Piano Teaching Foundation
of Taiwan, 1994
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Siglind
Bruhn also serves as editor of works
in the humanities at large. Books she has shepherded include Wojciech
Stepien’s The
Sound of
Finnish
Angels: Musical Signification in Five Instrumental
Compositions by
Einojuhani Rautavaara and Magnar Breivik’s Musical Functionalism:
The Musical Thoughts of
Arnold Schoenberg
and Paul Hindemith (both Pendragon Press
2011), Geert
Edel’s Von
der
Vernunftkritik zur Erkenntnislogik
and Hypothesis
versus
Linguistic Turn (both
Edition Gorz 2010),
Vladimir L. Marchenkov’s The
Orpheus Myth and the Powers of Music
(Pendragon 2009), Responsibility
and Commitment: Eighteen
Essays in Honor of Gerhold K. Becker edited by Tze-wan
Kwan
(Gorz 2008), Victoria Adamenko’s Neo-Mythologism
in Music: From Scriabin and Schoenberg to Schnittke and Crumb
(Pendragon 2007), Po-shan
Leung’s “Eigentlichkeit” in Heidegger, Eigentlichkeit
als Heideggers Wegmotiv: Von Sein und Zeit zur Seinsgeschichte
(Gorz 2007), Mathieu
Schneider’s Destins
croisés:
Du rapport entre musique et
littérature
dans
les oeuvres symphoniques de Gustav
Mahler et
Richard Strauss (Gorz 2006),
Uta-D. Rose’s Die
Komplexität politischen Handelns: Die
Liberalismus
-
Kommunitarismus
-
Debatte
im
Lichte
des Denkens von Hannah
Arendt
(Gorz 2005), and
Kristin
Rygg’s Masqued
Mysteries Unmasked: Early
Modern
Music Theater and Its Pythagorean
Subtext (Pendragon 2000). The studies published by Edition
Gorz
can alternatively be read online
or purchased
in book form (catalogue).
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