Review
of Babardah in Touching Extremes
The
elegant improvisations presented in "Babardah" are built upon
appealing sounds and extreme respect for every instrument's voice. Each
and
every concept is carefully analyzed, becoming an element of reflection
and
observation rather than an obstentation of useless power. The
instrumentation
(bass, violin, sax and trombone) is appealing as it works perfectly in
a sort
of "chamber free music" where seemingly nothing is discarded. There's
nothing too conceptual here, not a reason that could prevent this
record to
calmly sail in that sea of "discreet" avantgarde where virtuosity and
studies of possibilities never exceed a mature and insightful approach
to
playing. Essentially, this is intelligent stuff - neither too dense,
nor too
reductive - that must be listened to with the same poised stance of the
musicians involved. -- Massimo Ricci