The Twin Peaks
CYOA

The Stories: Part 3

Chapters 21 through 30


// he's only 20 minutes late. don't get mad. it's been worse. it'll get worse. it's okay now. //

Laura turns the oven off completely, hoping the chicken will stay warm but not dry out. She checks the place settings again, uncorks the wine, and pours herself a glass. She then goes out on the porch, lights a cigarette, and has a drink.

// wine is nothing without a good smoke. if i quit, i'd only be a bitch and dion certainly wouldn't want that. //

A car winds its way down the road and Laura looks expectantly...but it's not Dion. Neighbor.

// damn you, laura, why did you do this to yourself? married? a baby? thank god for em. if it weren't for you, em, i'd be certifiable by now. //

Dion's car pulls into the driveway and he carries Emily up to the porch, looking at Laura disgustedly.
"What's the problem, Dion?"
"You're smoking again."
"At least I'm killing myself slowly, darlin'. How is she?"
"What do you mean?! Who?!"
"I mean Emily, sweetheart. Were you doting on another 'she' tonight?"
"That's it, Laura. I'm putting her to bed and then you better say what it is you want to say!"

Dion does so while Laura finishes her cigarette and wine outside. Then Dion comes down and sits on the floor at her feet. "Can we talk after dinner, Laura? I'm starving."
"Why, Dion," Laura says in a mock southern-belle voice, "I do believe you are humbled. What on earth for?"
"Look, I had a scare tonight. David had overdosed and thrown up when I went to pick her up. We can't have her around that anymore. It's going too far now. He booted up right in front of my little girl!"
"Oh, and where was my little girl? Huh?"
"You know what I mean."
"All right. We'll find a drug-free babysitter. But I'm going to call David later and tell him he's lost the babysitting gig. Bastard. I had to give up all that stuff. Why shouldn't he have to? What are we gonna do about work tomorrow? Neither of us can afford to not go. It's not like that place is any more straight-edge than David's house."
"Laura, where do you get these ideas?"
"I don't know, honey. Guess I'm just bein' silly," she giggles through her anger and hugs Dion's neck.

// i can't talk to him right now. i'm so tired i might lose control. i don't want em to wake up because we're screaming at each other. //

They proceed into the dining room and Laura serves the dinner. They eat silently, cautiously, and decide they'll talk "another time."

Misirlou

That night...

A Telephone Conversation Between Laura and Ronette

  1. Hello?
  2. Yes--Laura?
  1. Speaking.. .How may I help you?
  2. (Pause.) Laura, it's Ronnie.
  1. (Shocked silence. Then:) Ronette? Is it you?
  2. Yeah...
  1. Oh, my God, I haven't seen you since--
  2. The wedding.
  1. The wedding? Wow.
  2. I miss you, Laura.
  1. Where are you, Ronnie?
  2. In town.
  1. You left TP?
  2. Well, after you moved out, the town kinda died. It was empty without you. I had like no friends...I wanted to start over, like you did. I figured we both had a chance, you know?
  1. Hell of a place to start over. (They laugh.) Do you have a job?
  2. Well, yeah, sort of.
  1. You have to tell me all about it, all about everything. We have some catching up to do. Where are you staying?
  2. Oh, this little hotel. Pretty nice--not as nice as the Great Northern, but hey, I'm not complaining.
  1. You always were a trooper.
  2. (Long pause.) Can I meet you for lunch sometime?
  1. Yeah. Lemme check my schedule, and I'll get back to you, okay?
  2. That's right...you're the career woman now.
  1. (Laughs.) I guess so. And I'm a mom, too--you knew that, right?
  2. No, you never told me.
  1. Well, we have a lot of catching up to do, then. Can I pick you up sometime?
  2. Let me meet you.
  1. Yeah. Soon, I promise.
  2. (Pause.) Love you, Laura.
  1. You too, Ronnie. Bye.
  2. Bye.

Rebekka stands at a pay phone with a handful of change. It's past midnight and more than a little freaky out on the street, but Anders left to do God-knows-what and this is the only time she has to call Thomas.
Damn, she thinks to herself, this would be a great time to have a calling card. The phone rings at the other end--a voice tells her to deposit the precise amount of coinage for the calling area. She shoves the quarters in the phone, dropping two of them in her haste. When she's nervous she gets clumsy...Anders always told her she couldn't do anything right...

Thomas picks up the phone at his apartment. "Hello?"
"Thomas, it's me. I need a place to stay. I can't take Anders anymore."
"You can always stay here. You know that."
"Thanks, Thomas--you're the one good thing I can depend on in my life."
"Are you at the hotel? I can come and pick you up nearby..."
"No--wait, I'm at a gas station a few blocks away. Anders is gone right now; running an errand for a client, I suppose...I didn't want a record of our call on the bill at the hotel...Anders keeps track of stuff like that. I'll be at your place in a half hour. I didn't take anything with me...didn't want Anders to know I'm leaving."
"Okay, Rebekka, see you soon." He adds in a softer tone, "You still have stuff at my apartment from the last time you were here."
"Bye."

She hangs up, looks around to see if Anders could be anywhere watching her; satisfied that he isn't, she takes off down the block and hails a cab--no small feat during the transit strike in Philadelphia.
As she reaches for the handle of the cab, a guy near her tries for the same car.
"Hey, how much for a date?" the nondescript "suit" asks.
"Get lost!" Bekkers sneers at him as she dives into the vehicle and gives the driver Thomas's address. God, she thinks to herself, I hope Thomas has the money to pay the cabbie. She counts the few meager bills that she managed to take with her. She didn't dare rip off any of Anders's cash. If she had done that, she would really be dead.
As the cab pulls away from the curb, the "suit" watches it leave, then walks over to the same phone that Rebekka had just used a few minutes ago.
He punches the numbers on the phone. Not reaching the person he wants, he leaves a message.
"Hey, what gives? I just saw your girl tonight and she was none too friendly."

Carlotta

Thomas is standing outside in the apartment complex parking lot, settling the bill with the cab driver. Rebekka has already gone inside and has curled up on the sofa, just happy to be somewhere safe, someplace normal. This is what life should be. She should be in a nice little place with nice furniture, with someone who cared about her. Lots of laughter--good stuff. Warm fuzzy stuff. Not this whacked-out life Anders has dragged her into.
She sighs and pulls a pillow towards her and cuddles it like a stuffed animal.
"Rebekka, is there anything you need? You look exhausted." Thomas locks the deadbolt behind him now that he's back in his place.
"God, you wouldn't believe it...he pulled a damn gun on me. Said he wouldn't use it, but I don't trust him right now..."
"I believe it, 'Bekka." He sits down next to her on the sofa. "You have got to get away from him. He's draggin' you down with him. You deserve to be treated better than this."
"But, Thomas, he is my brother and my only family here. I can't leave him...He wasn't always like this. It can be good again."
Thomas sighs, and puts his arm around her. "Rebekka, I can never change your mind about your brother. But you can start a life of your own. I love you."

The two settle in for the night. Thomas puts Rebekka in his bedroom and he sleeps on the sofa, a ritual they follow every time she comes to his place to seek refuge. He checks the clock on the wall before turning in. It's 2:20 am...tomorrow is another work day. Lights off...

His sleep is shattered by pounding on his apartment door.
"BEKKERS, BEKKERS, I KNOW YOU'RE IN THERE! YOU THINK YOU'RE SO DAMN CUTE RUNNING AWAY TO YOUR LITTLE HERO."
The pounding continues as Anders raves like a madman in the hallway. "DIDN'T THINK I'D FIND YA, HUH? BUT I GOT FRIENDS, YA KNOW--THEY TELL ME STUFF. I CAN FIND YOU ANYTIME I WANT. REMEMBER THAT, BEKKERS..."
Rebekka cowers under the covers in the bedroom, too frightened to move. If only he'd just go away, she prays.
Thomas, in the living room, makes no move to the door, just stays quiet. The noise stops and the silence is almost as scary to Rebekka as the violence that preceded it.
In the night Thomas and Rebekka hear the crack and retort of three rounds of gunfire. In the morning Thomas will find the windshield of his car cracked and shattered where the bullets entered.

Carlotta

Anders peels off a hundred-dollar bill and gives it to the cabbie.
"I told you that if the information you gave me was good--that you would be rewarded with more money...the good shall always be rewarded," he laughs.
If it hadn't been for that call he got from one of his regulars, he wouldn't have known that Bekkers got into a cab around here. Finding the cab wasn't that hard. He smiles; this was the first time he ever got a handle on where Bekkers would disappear at times. Now he felt smug. He was in control again...to some extent. At least he knew where to find his little sister when he needed her. Bet he rattled her chains with his little act at the apartment complex...

Morning in Thomas's apartment finds Rebekka pouring a cup of coffee into a mug. Neither she nor Thomas got much sleep. Thomas has just left to go to work so she's pretty much on her own right now...She hears the tumblers of the deadbolt click and holds her breath as the door opens.
"God! Thomas, you gave me a scare. I thought you left!"
"Yeah, well, I thought I'd be merrily fighting the traffic on the highway too--but I found out what that noise was last night. You oughta see my car."
"What happened?" Rebekka puts her coffee down on the table.
"Looks like Anders took his frustration out on my windshield."
"Oh. Thomas, I'm sorry--I shouldn't have gotten you into this. He's never found me here before. I'm sorry, really, this is terrible."
"Hey, Anders is nothing--the scary part comes now. I gotta talk to the claims department of my insurance company," he quips with a half-hearted smile on his face.
He picks up the phone and dials a number. Looks like I'm gonna be late for work today, he thinks as he listens to the ringing at the other end...

Carlotta

After a very long day, Albert arrives at his spacious townhouse apartment and slams the door behind him. He shrugs off his trench coat and drapes it over the back of a chair; he's too tired to be neat. He heads straight to his bedroom where he removes his tie and unbuttons the first two buttons of his shirt, then collapses onto his plush bed and sleeps. His mind and body are exhausted from being denied rest for nearly 24 hours; he does not dream.

Meanwhile...

In the back of the ambulance, Meg holds David's hand and gently brushes the thick black hair back from his forehead. Damn, David, she thinks, not again. I've done this so often for you that it's almost rote. But it still hurts, every time. She looks up at the technicians, trying not to cry. "I'm Doctor Wilson, the chief pharmacologist at the hospital. This is my patient," she says. "I can take care of him." The medics shrug, having stabilized David for the ride. "Okay, Doctor," one of them nods.
"We're going to need naloxone IV stat, and epinephrine on standby if he goes into arrest," Meg dictates, and one of the medics immediately injects David with a healthy dose of naloxone, a strong antidote for narcotic overdose.
Meg takes a deep breath. "David, can you hear me?"
David stirs; his eyes open slightly. "My angel..."
"David," Meg says sternly, "David, hang on--we need you!"
He takes a difficult breath. "I didn't do it in front of her. Tell him that," he manages.
She looks at him curiously. "Tell who, David?" she prods, trying to keep him conscious.
"Dion. Tell Dion I never, ever did." He sighs. "Anders."
The name rings a bell; Meg's eyes narrow. "Anders...Anders Nilsson?" she asks. "Did he do this to you?"
"Too strong, maybe," he mutters. "Did he mean to...? I didn't do this...I didn't want to die..."
"You won't die," Meg says firmly. Anders Nilsson, she thinks. Isn't he a patient of mine? Yes, that smooth-talking Jekyll-and-Hyde Swede with the severe cocaine addiction and, I see now, a penchant for sadism. His poor, poor sister. "And I'll be speaking personally to Mr. Nilsson," she adds under her breath, and squeezes David's hand reassuringly as the ambulance speeds in to the hospital. He's taken out on a stretcher, bound for the ER.

Thomas stops at the grocery store on the way home from work. He picks up food from the deli section for supper, and then some flowers at a kiosk--an odd assortment of tulips, daisies, a couple of roses and statice. Kind of a country garden thing, he thinks as he heads for the check-out line in the store.
As he leaves he has to remind himself to look for the loaner car he's driving while his car is getting fixed. It's a damn good thing his policy covers the expense of getting the loaner; at least it's decent. Right now if he had to rent a car on his own it'd probably come from Rent-A-Wreck. Not that he doesn't make a decent paycheck, but, hey, a guy's got expenses...
Fifteen minutes later he arrives at his apartment and unlocks the door. Rebekka is still there. He calls out, "Oh, June--I'm home!"
"Is that you, Ward? You need to have a talk with the Beaver."
Out of character, he replies, "Boy, would I like to ever!"
Bekkers, smiling, swats him. "Get your mind outta the gutter! Boy, have you been watching too much Nick At Nite kinda stuff."
Thomas hands her the bouquet. "For you..."
"Gee, thanks."
Rebekka pads over to the kitchen and rummages through the cabinets to find an oversized glass to put the flowers in water. Tom follows with the bags of food. She takes them and checks the contents of the deli cartons. "Hmmmm, looks like a little veggie lasagna, and some salad. How thoughtful."
"Yeah, I spare no expense."
He watches her get out the plates. She's wearing one of his white shirts, a pair of jeans, and is barefoot. He finds it tempting, but tonight he is too exhausted to even try anything.
Grabbing a plate of food, he heads toward the living room, plops down on the sofa, and flings one leg easily up on the coffee table. His foot taps against an open book on the table...Clinical Laboratory Tests: Values and Implications.
"Geez, Rebekka, what are you doing reading this stuff? Some light entertainment?"
"Uh--you forget--I did have aspirations of being a doctor at one time, remember?" She avoids his eyes when she talks.
Thomas, changing the subject: "Work has been a bear lately."
"You wanna talk about it?"
Thomas sighs, "You know I can't tell you much...but the place is a real disaster. Albert, you know, my boss, Albert Rosenfield; he's been worse than normal. He's usually acerbic, but now he's reaching for new heights in office etiquette. Seems like his outside life is really starting to creep into the office. Someone mentioned that some strange people came to pay him a call about some personal business...glad I was occupied elsewhere in the building. Got a lot of reports to catch up on..."
Rebekka concentrates very hard on dishing out food for herself and takes a deep breath. She remembers. She remembers the name plate on the desk when she accompanied Anders on a business visit the other day. Anders made her wait outside the office while he talked to the "client". Albert, Albert Rosenfield. Oh shit...

Carlotta

Rebekka answers the phone while Thomas is out of the apartment.

  1. Hello?
  2. Yes, hello to you, my loving sister.
  1. What do you want, Anders?
  2. I'm just calling to check on you, love.
  1. [groans]
  2. Don't worry, I have no intention of disturbing your home away from home. I must say I am feeling refreshed and that I am on a much more even temperament today. Hope I didn't disturb you on my visit the other night.
  1. [quietly] What do you want, Anders?
  2. [smiling] Why, Bekkers, I don't want anything now. You should have told me about your boyfriend--and who he works for.
  1. I didn't think it was important...
  2. Au contraire [he snaps]. Take your time playing house for now. I am occupied with new business interests at the present. But come home soon or I'll come and get you. Are you sleeping with him? Are you?
  1. No! No...not yet, it's just--
  2. Listen to me carefully, now: I want any handy information about his boss or his work that you come across. It may be useful to me one day. Bye, Bekkers, for now.

Tears well in Rebekka's eyes.

Carlotta

It sounds like Thomas is at the door. Rebekka arranges herself on the couch and brushes the tears from her eyes. She takes a few deep breaths, blinks a few times, and smiles, just as the door opens and Thomas walks in.
"Hey, Bekka. Sorry about that," he says as he closes and locks the door behind him.
"Oh, no problem," she assures him. He sits down next to her and puts his arm around her. "Say, Thomas," Rebekka begins, snuggling closer to him, "I want to know more about this Albert. Maybe I can help you make your office situation a bit more bearable if I can get inside this guy's head, you know?" She laughs; inside she is berating herself for being Anders's puppet. So willing to be used.
"Well, it's really hard to get into his head," Thomas says. "He's really talented, I mean, he's the best there is. Me, I don't work with him much, because I'm still low man on the totem pole, you know?" Rebekka smiles. "I know we have this other pathologist on staff, Sam Stanley...I haven't seen him around much either. I hear he cracked some big cases some years back. Anyway, somehow I suspect Albert's relegated him to tests and stuff, you know, nothing too complex. And that's a shame." He shifts a little to get more comfortable. "And Doctor Spencer, same thing. And she's really good." Rebekka thinks, Spencer. David Spencer, right? Oh, God...
Thomas continues, "Albert knows he's the best, and I think he thrives on that. He doesn't like to give the rest of us a chance. Hey, do you want some wine?" He stands up and heads for the kitchen area.
"Um, sure, but only one glass, okay?" Rebekka smiles. She tries to collect her thoughts as Thomas pours two glasses of wine. "Does he have any family?" she asks.
"He's an only child, I've heard," Thomas replies, as he hands a glass to Rebekka. "And his parents are still around somewhere, but I don't think he's very close with them. He's definitely single," he smiles. "And no significant other, either. Too bad, eh?"
Rebekka takes a sip of wine. "Yeah, too bad," she echoes.
Thomas appears to be on a roll, happy to get out his frustrations. "He drinks coffee constantly--I mean, we all live on caffeine, but he's a little different...I don't know." He drinks his wine thoughtfully. "I don't know enough about him to postulate on that particular habit." He turns to Rebekka and smiles, truly happy.
Rebekka returns the smile, slightly less genuine, and is sick to her stomach at her false shows of affection. "Thanks, Thomas; I think that by telling me all of this, you're a lot more secure in your professional relationship with Albert, right?" She grins.
He laughs. "You know, you're right! I guess I just needed to get all that out. Thanks, Bekka." He kisses her gently. Rebekka smiles mournfully and puts down her wine glass.
"I have to go, Thomas." She stands up slowly; Thomas rises as well. "Anders'll kill me if I don't get home soon...I'm sorry. I wish I could stay here forever. I feel safe and...and normal here." She puts her arms around him and buries her face in his neck. "I don't want to leave; I don't ever want to leave here!" she whispers.
"So don't leave. You can stay here."
Rebekka shakes her head violently. "No, no, no, I can't, I can't! I have to go home." She cries, helpless.
Thomas holds her reassuringly. "Hey, sweetie," he says softly and takes a step back. He wipes the tears from Rebekka's face and smiles. "It'll be okay. You're strong. You can make it. And I'm always, always here for you. Now go on home, because I know you have to. Let me drive you," he offers.
"Oh, no, no--I couldn't ask you to do that. It's...too dangerous. I can walk, I guess. It's not too far, and it's a nice day. And, look, I'd even left some good walking shoes here from last time." She smiles, trying to cheer herself up.
"I'm keeping an eye on your brother. If he so much as looks at you funny, I swear, I'll--"
Bekkers puts a finger on his lips. "Don't swear anything, Thomas. You can't plan anything with my brother. He's very volatile. You have to take him one day at a time." She gazes into his eyes, then turns to go. "I think I'm all set...Oh, your shirt," she realizes. "I'm wearing your shirt..." She fingers the collar nervously, silently wondering what Anders would do to her if he saw her wearing Thomas's shirt.
"It's okay, Bekka. You can keep it. I want you to have it," Thomas manages. "Or you can use it as an excuse to see me again--you know, like, 'But I have to return this shirt, Anders!'" He smiles brightly.
Rebekka laughs despite herself. "Okay. I will." What the hell, she rationalizes. If he would kill me for being here in the first place, what could possibly be the punishment for wearing a shirt? She picks up her purse and her bag of clothes and slides into her shoes. She kisses Thomas. "Bye," she whispers, and slips out the door.

Meg sneaks into David's room, where he's staying overnight. She has put on her lab coat and tries to be professional. She picks up his chart and looks it over. David wakes from a light sleep.
"Hello, David," Meg manages. "How are you feeling?"
"Okay, I guess," David answers. He regards his IV absurdly. "What's this for?"
"Just glucose. You were a little hypoglycemic--nothing to worry about," Meg assures him.
"Why am I still here?"
"It's procedure."
"No, it's not."
"You know, that worries me, David," Meg says carefully, replacing David's chart on the end of his bed. She pulls up a chair at his bedside. "The very fact that you know this...this 'ritual' by heart is unnerving. That's not normal...it's not normal for someone to have gone through this so many times. I--"
"Margaret, when will you learn? When will you goddam let me go?" He sinks back onto his pillow and closes his eyes.
Meg is startled. "You said you didn't want to die."
"No...I didn't. But since I've been holed up here, stone cold sober and drifting in and out of consciousness, I've been doing some thinking. My life is shit. It is," he insists, before Meg can contradict him. "I write worthless books, I teach a bunch of no-good, ambitionless jerks, I can't commit to a relationship, the only family ties I had going for me were severed today by a misunderstanding, and I've more or less sold my soul to heroin. What do I have left?"
"You...you have me," Meg chokes.
"You want to change me. And I can't change."
Meg considers this. "David, you don't believe those things you said. I know you don't. Your books have won awards. You love teaching. You...we have a good relationship. I've never made you feel like you have to commit, have I?"
"No," he admits. "You haven't."
"There you go. As for family...well, if it was a misunderstanding, I'm sure you can patch it up. And I can put you on detox."
"Again? Meg, it doesn't work. It's never worked for longer than a week at most. I hate it."
"David, this isn't you. You're never so bitter. I don't like this."
David sighs. "Meg, please go away. I don't want to talk to you right now."
Meg stands up slowly and silently leaves the room.

Rebekka lets herself in once at her and her brother's largeish apartment. "Anders," she calls out. "I'm--"
She stops abruptly when she hears the strains of serious fluting from the bedroom. Rebekka recognizes the piece Anders is playing as a particularly intricate Mozart sonata, one of which he is very proud. To disturb him now would mean trouble later. She opts instead to remain silent. She carefully puts her bag of effects on the kitchen table and, grabbing a magazine, heads for the couch. This isn't so bad after all, she thinks. I like it when he's involved in his music--that means he's not involved with me. I wish I could change out of this shirt before he sees me in it, though, and he's in the bedroom, so I can't. She frowns and flips through the magazine aimlessly.
After all five movements, the music stops. Rebekka is leaning back on the couch with her eyes closed, relishing the relative normalcy of life at the Nilsson household at the moment. "Anders?" she calls, lifting up her head and looking down the hallway to the bedroom.
There is no response. Rebekka peels herself lazily from the couch and ambles to the bedroom. Anders is putting away his flute and music. He doesn't look up at his sister, who has wrapped one arm around the doorframe. "Anders? Did you hear me?" He continues to tidy up. "I'm home. Are you hungry? I could make something--" Anders stands up and looks at her coldly for a split second as he heads past her out the bedroom door. Rebekka follows, ready to offer a few choice words. Anders slouches into a chair and grabs a catalog. His sheer indifference somehow ruins the effect, and Rebekka loses her nerve.
Defeated, she sinks into a chair across from her brother. "I have some information for you, Anders," she whispers. "Do you want to hear it now?"
Anders does not respond. He continues to leisurely glance through the catalog.
Bekkers looks at him desperately. "Anders, do you want to hear what I learned today?" Again, no response. "Is this my punishment? That you won't speak to me?" she cries. "I don't understand. I came home...I came home to you. I did exactly what you told me to do. I don't understand! Why won't you speak to me?" She is confused and upset, and beginning to become very, very afraid.
Anders simply says, "Nice shirt, Rebekka," then stands up, tosses the catalog onto the chair, and heads out the door. Rebekka runs to the door and yells after her brother, "Where are you going?"
"Out," he replies, gets into his Miata, and speeds off. Rebekka stands at the door, dumbfounded. It dawns on her: He's probably going to Thomas's place! She retreats into the apartment and slams the door so hard that the glasses rattle in the cupboards. She throws herself back onto the sofa, folds her arms across her chest, and seethes.
I can't control him, she thinks. But I'm sick of him controlling me. I wanted to get angry, I wanted to have an argument--but he wouldn't let me. She pushes herself deeper into the soft plush of the couch and halfheartedly plots a kind of revenge. Eventually the rage evaporates, and she falls asleep on the sofa.

INTERIOR LOG CABIN - Night
The room is lit with candles. WINDOM EARLE is seated at an oak desk with a quill pen. He is writing on a piece of lined paper and the pen tip is making incredible scratching sounds. There is a pile of white shavings on the ground near the floor. Some near-recognizable white lumps lay casually on top of the edge of the table. Windom's eyes gleam in the fire.

WINDOM (reading from the middle of the note):
Always give your best, never get discouraged, never be petty; always remember, others may hate you. Those who hate you don't win unless you hate them. And then you destroy yourself.

WINDOM chuckles to himself and picks up the pen tip briefly. He puts the pen tip back to the paper and finishes scrawling on the paper. He folds the paper in half and places it in a plain white envelope.

Windom gets up and admires his handiwork while walking about the room and begins to talk, almost as if an unseen force were in there with him.

WINDOM:
We are torn by divisions, wanting unity. We are.
(after a pause)
And now all we need...(snapping his fingers) is a stamp.

Fade to Black

MikeLOGtp


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Last edited on 4 June 2001 by N. S. Heath.
E-mail nora@heathens.co.nz.
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