|
Composer |
Work |
Bassoon part |
Measures |
Orchestra |
| Adams, John |
Chamber Symphony |
Contra |
Mvt II, m. 225 to the end |
SLc/3 |
|
Bach, J.S. |
Orchestral Suite #1 in C |
|
First mvt., all |
HU |
|
Bach, J.S. |
Orchestral Suite #4 |
1 |
Finale |
NY; SL; |
|
Bach, J.S. |
Mass in b minor |
1,2 |
#10, "Quoniam tu solus sanctus," Aria for bass with two bassoons obligato |
AT; NAT; MN; |
|
Bach, J. S. |
Suite #5 for cello |
Contra |
not specified |
BSO |
| Bach, J. S.; arr. ? |
Toccata and Fugue in d minor |
1 |
excerpts provided |
USAFB |
|
Barber, Samuel |
Symphony #1 |
1 |
|
NAT; HU |
| Barber, Samuel |
Violin Concerto |
1 |
3rd movement |
UT |
|
Barnes |
Lonely Beach |
|
|
POB |
|
Bartok, Bela |
Concerto for Orchestra |
1, 2, 3, contra |
Most asked for 2nd mvt. (mm 8-24 and 164-180), some for 5th; JAK and GR asked for 2nd and 5th |
MIL; NY; DT; SL; GR (contra and asst/2nd); CSO; MEM; PHL; AT; SF; HU; NAT; RPO; VAS; NJ; TUL; LON; DAY; FL; LAN; LAPH; MN; SAN; SPO; CLV; PSO; TO; IN04; UT; JAK; PAC; Slc/3 |
|
Bartok, Bela |
Dance Suite |
|
|
CN; CSO; RF |
|
Bartok, Bela |
Suite from the Miraculous Mandarin |
1 |
|
PHL; |
|
|
|
|
|
|
|
Beethoven, Ludwig van |
Violin Concerto |
1 |
1, 2, 3; GR specified 3rd mvt. |
MIL; NY; DT; MON; BUF; SPO; LAPH; JAK; GR; AA |
|
Beethoven, Ludwig van |
Symphony 3 |
1, 2 |
|
MIL; DT; PHL; |
|
Beethoven, Ludwig van |
Symphony 4 |
1, 2 |
4th mvt., mm. 184-188; NY asked for 1st & 4th mvts; BSO, IN and NM asked for solo from 2nd mvt also; NAT marked "mvmt. 2, 3, 4"; IN04 2nd bsn asked for 2nd mvt. only |
MIL; SF; NY; OK; FL; SAV; NYCOP; BSO; PHL; CN; CSO; NM; SY; MON; AT; TO; IN; FL; LAN; PSO; NJ; NAT; CH; CHC; DOP; DAY; NW; LAPH; LON; SPO; SDS;IN04-2; IN04-cbn; HU; UT; JAK; RF; TOL; AA |
|
Beethoven, Ludwig van |
Symphony 5 |
1, contra |
NAT specified mvmt. 2, 3; UT specified 3rd mvt., pickup to 245 through C |
GR; MEM; NY; PSO; NAT; CR; CLV; DT; PHL; SF; TO; IN04-cbn; UT; SLc/3 |
|
Beethoven, Ludwig van |
Symphony 6 |
1 |
2nd mvt |
NY; SF; CSO; AT; NAT; HU |
|
Beethoven, Ludwig van |
Symphony 7 |
1 |
Second mvt from E to F |
LAPH |
| Beethoven, Ludwig van |
Symphony 8 |
1 |
First mvt mm 233-267 |
LAPH |
|
Beethoven, Ludwig van |
Symphony 9 |
1, contra |
NAT and GR specified mvmt. 4 LAPH and PAC specified 4th movement from 116 to letter A |
SAV; BSO; MN; TO; NAT; BUF; SF; AT; CLV; PSO; LAPH; IN04-cbn; PAC; GR |
|
Beethoven, Ludwig van |
Leonore Ovt. #3 |
1 |
|
BSO; CH; TOL |
|
Beethoven, Ludwig van |
Piano Concerto #5, "Emperor" |
1 |
|
RPO; |
|
Beethoven, Ludwig van |
Fidelio |
|
Excerpts given by orchestra |
DOP; |
|
Beethoven, Ludwig van |
Missa Solemnis |
contra |
|
DT; PSO |
|
Berg, Alban |
Wozzeck |
1 |
Excerpts provided by orchestra |
CSO; MET |
|
Berlioz, Hector |
Symphonie Fantastique |
1, 2, 4 |
mvts. 4 & 5 |
DT; CN; SAV; SFBAL; SL; NJ; CSO; SY; AT; IN; NAT; VAS; TUL; CH; FL; DOP; MN; NY; PSO; CLV; BSO; TO; IN04-2; IN04-cbn; UT; JAK; PAC; GR; TOL; Slc/3 |
|
Berlioz, Hector |
Benvenuto Cellini Overture |
2 |
Reh. #3-4, mm. 67-79 |
HU; |
|
Bernstein, Leonard |
West Side Story Dances |
1 |
|
PHL; |
|
Bizet, Georges |
Carmen |
|
Excerpts given by orchestra; MET, HGO and MOT specified "Dragons" entr'acte to Act II |
DOP; MET; HGO; MOT; MOT2 |
|
Brahms, Johannes |
Symphony 1 |
contra |
1st and 4th mvts |
LAN; CHC; AT; BSO; PHL; PSO; SF; TO; IN04-cbn;SLc/3 |
|
Brahms, Johannes |
Symphony 2 |
1, 2 |
2nd mvt (VAS); 4th mvt (CSO, VAS, GR) |
SL; MEM; CSO; NAT; TUL; DOP; SPO; VAS; GR |
|
Brahms, Johannes |
Symphony 3 |
1, 2, contra |
1st and 2nd bsn : 1st, 2nd 4th mvts.; 2nd bsn : 2nd mv mm. 1-23, 63-81; 4th mvt mm. 1-18; UT specified 1st and 4th mvts; LAPH specified pickup to m 52 through the 1st ending |
MIL; SAV; GR (contra and asst/2nd); SF; CSO; AT; TO; PSO; HU; NAT; DAY; FL; NY; SAN; BSO; CLV; DT; PHL; SDS; IN04-2; IN04-cbn; UT; LAPH; SLc/3 |
|
Brahms, Johannes |
Symphony 4 |
1, 2, contra |
1&2: 2nd mvt.; contra 3rd and 4th mvts |
SF; CSO; LAN; PHL; MN; |
|
Brahms, Johannes |
Violin Concerto |
2 |
2nd mvt., mm. 1-33 |
MIL; DT; SL; CSO; PHL; IN; HU; RPO; VAS; TUL; MN; NJ; SAN; LAN; LAPH; NY; BSO; CLV; PSO; IN04-2; IN04-cbn; PAC; GR; SLc/3 |
|
Brahms, Johannes |
Piano Concerto #1 |
2 |
2nd mvt., mm. 1-15 |
DT; CSO; SF; HU; RPO; VAS; DAY; MN; |
|
Brahms, Johannes |
Piano Concerto #2 |
2 |
|
PHL; CSO; |
|
Brahms, Johannes |
Variations on a Theme of Haydn |
1, 2, contra |
|
SFBAL; LAN; RPO; LAPH; PHL; IN04-cbn; |
|
Brahms, Johannes |
Academic Festival Overture |
contra |
|
LAN; BSO; TO |
|
|
|
|
|
|
|
Britten, Benjamin |
Young Person's Guide to the Orchestra |
1, 2 |
Bassoon duet |
CSO; VAS; MN; HU |
|
Britten, Benjamin |
Peter Grimes |
1 |
|
MET |
|
Cherubini , Luigi |
Medea |
1 |
Aria "Solo un pianto" ("Ah, nos peines serront communes") |
NYCOP; |
|
Copland, Aaron |
Appalachian Spring |
1 |
No. 57 to 59 |
SPO; POB |
|
Debussy, Claude |
Iberia |
1 |
2nd mvt |
NY; NAT; |
|
Debussy, Claude |
Nocturnes |
1 |
|
SY; |
|
Donizetti, Gaetano |
L'Elisir d'amore |
1 |
Aria: "Una furtiva lagrima" |
NY; NYCOP; BSO; PHL; MN; MET; HGO; MOT; TOL; MOT2 |
|
Dukas, Paul |
Sorcerer's Apprentice |
1, 2, contra |
|
GR; SFBAL; SL; CSO; LAN; LON; CLV; IN04; AA; |
|
Dvorak, Antonin |
Symphony #9 |
2 |
|
LAN; |
|
Françaix, Jean |
Serenata (1937) |
1 |
Andantino, 6/8 |
BSO; |
|
Gliere, Rheinhold |
Ilya Murometz (Symphony #3) |
contra |
|
PSO |
| Gould, Morton |
American Salute |
|
excerpts provided |
USAFB |
| Graham, Peter |
Harrison's Dream |
1 |
excerpts provided |
USAFB |
|
Grainger, Percy |
Rufford Park Poachers from Lincolnshire Posey |
1 |
|
POB |
|
Grieg, Edvard |
Peer Gynt |
2 |
"In the Hall of the Mountain King" |
SL; SPO; |
|
Haydn, Franz Joseph |
Symphony 88 |
1 |
|
MEM; |
|
Haydn, Franz Joseph |
The Creation |
contra |
|
BSO |
|
Leoncavallo, Ruggero |
I Pagliacci |
2 |
Act II, reh. #135 |
MOT2 |
|
Mahler, Gustav |
Symphony 1 |
1, 2 |
mvt. 3 |
MON; IN; NAT; HU; UT |
|
Mahler, Gustav |
Symphony 4 |
contra |
|
CLV; SF |
|
Mahler, Gustav |
Symphony 5 |
contra |
|
PHL; SF; TO |
|
Mahler, Gustav |
Symphony 9 |
contra |
Scherzo, 4th mvt. |
GR; NY; AT; BSO; CLV; SF; TO |
|
Mahler, Gustav |
Das Lied von der Erde |
contra |
|
PHL; SF; TO; SLc/3 |
| Makris, Andreas |
Aegean Festival Overture |
1 |
excerpts provided |
USAFB |
| Mascagni, Pietro |
Cavalleria Rusticana |
2 |
reh #48, after reh #66 |
MOT2 |
|
Mendelssohn, Felix |
A Midsummer Night's Dream |
1, 2 |
CH asked for Scherzo |
CN; BUF; CH; LAPH; |
|
Mendelssohn, Felix |
Symphony #3 |
1 |
TOL specified 2nd mvt. |
PSO; RF; TOL |
|
Moussorgsky, Modeste |
Boris Gudonov |
1 |
Opening |
MET |
|
Moussorgsky/ Ravel |
Pictures at an Exhibition |
1, contra |
2nd mvt, "Il Vechio Castello", #19-20, mm. 1-7, 88-98 |
HU; CR; CLV; HU(04); UT; LAPH |
|
Mozart, Wolfgang |
Symphony 41, "Jupiter" |
1, 2 |
1st mvt: mm. 62-71; HU specified 4th mvt, mm. 1-158; LAPH specified 4th mvt complete |
MIL; SF; NY; SAV; MON; AT; PSO; HU; NAT; RPO; VAS; BUF; DAY; BSO; IN04-2; IN04-cbn; UT; JAK; RF; LAPH |
|
Mozart, Wolfgang |
Symphony 35, "Haffner" |
1, 2 |
LAPH specified 4th mvt, mm 9-37 |
DT; SF; PHL; VAS; FL; HU; LAPH |
|
Mozart, Wolfgang |
Symphony 36 |
1 |
|
NAT; |
|
Mozart, Wolfgang |
Symphony 38 |
1 |
|
NAT; |
|
Mozart, Wolfgang |
Symphony 39 |
1 |
|
SF; |
|
Mozart, Wolfgang |
Marriage of Figaro, Overture only |
1, 2 |
Overture: mm. 1-25, 139-172; PAC and MOT also specified mm. 101-123; LAPH specified mm 1-7, mm 29-45 and mm 156-171 |
MIL; NY; OK; DT; SL; CSO; NM; SY; PHL; MON; AT; TO; IN; LAN; SF; HU; NAT; RPO; VAS; TUL; FL; BUF; CH; CHC; DOP; LAPH; MN; NJ; NW; LON; SAN; SPO; MET; PSO; BSO; CLV; DT; SDS; IN04-2; IN04-cbn; HU; UT; JAK; HGO; PAC; MOT; GR; RF; TOL; AA; MOT2; SLc/3 |
|
Mozart, Wolfgang |
Marriage of Figaro, complete opera |
1 |
Complete opera |
NYCOP; |
|
Mozart, Wolfgang |
Piano concerto # 17 in G, K453 |
1 |
1st mvt mm. 277-290 |
GR; SF; |
|
Mozart, Wolfgang |
Pno cto in d minor, K466 |
1 |
|
SF; |
|
Mozart, Wolfgang |
Pno cto in c minor, K491 |
1 |
|
SF; |
|
Mozart, Wolfgang |
Cosi fan tutte |
1 |
Overture, other |
NY; RF |
|
Mozart, Wolfgang |
Cosi fan tutte |
1 |
Act I Finale |
DOP; MET |
|
Mozart, Wolfgang |
The Magic Flute |
|
Overture |
DOP; |
|
Mozart, Wolfgang |
Serenade #10, K. 361 "Gran Partita" |
contra |
|
NY; |
|
Orff, Carl |
Carmina Burana |
1 |
"Olim lacus colueram" |
NYCOP; |
|
Prokofiev, Sergei |
Peter and the Wolf |
1 |
|
NY; HU; AA |
|
Prokofiev, Sergei |
Symphony 1, "Classical Symphony" |
1 |
|
SAV; IN; |
|
Prokofiev, Sergei |
Symphony #3 |
contra |
|
PHL |
|
Prokofiev, Sergei |
Symphony #5 |
1, contra |
|
SPO; CLV |
|
Prokofiev, Sergei |
The Love of Three Oranges |
contra |
|
DT |
|
Ravel, Maurice |
Piano Cto in G |
1, 2 |
1st mvt solo and 3rd mvt solo with 1st and 2nd parts combined (some ask for individual parts as written in last mvt.) |
MIL; NY; OK; DT; CN; SAV; SFBAL; TO; SL; PHL; SF; CSO; FL; NM; SY; MON; AT; NJ; IN; NAT; RPO; VAS; TUL; NW; BUF; DAY; LON; SAN; SDS; HU; UT; JAK; PAC; RF; TOL; LAPH |
|
Ravel, Maurice |
Bolero |
1, 2 (PHL only orch to ask both parts) |
solo and repeated high g's in the following passage |
MIL; SF; NY; OK; DT; SAV; BSO; CN; CSO; MEM; NM; SY; MON; PHL; FL; AT; LAN; NAT; RPO; VAS; MN; BUF; CH; NW; LON; SPO; CHC; NJ; SAN; POB; LAPH; GRN; SDS; IN04-2; IN04-cbn; HU; UT; JAK; PAC; GR; RF; TOL; AA |
|
Ravel, Maurice |
Mother Goose Suite |
contra |
"Les entretiens de la belle et la bête" |
GR; PSO; RPO; CHC; NY; AT; BSO; CLV; DT; PHL; TO; IN04-cbn; SLc/3 |
|
Ravel, Maurice |
Piano Concerto for the Left Hand |
contra |
|
GR; RPO; CHC; NY; AT; BSO; CLV; DT; PHL; PSO; SF; TO: IN04-cbn; SLc/3 |
|
Ravel, Maurice |
Alborada del Gracioso |
1 |
|
NY; CN; OK; NYCOP; MON; BSO; TO; BUF; CH; HU; RF; LAPH |
|
Ravel, Maurice |
Daphnis & Chloe |
1 |
One bar before 202 to the end |
OK; |
|
Ravel, Maurice |
Rhapsodie Espagnol |
1, 2 |
1st mvt. cadenza |
DT; PHL; SL; SF; CN; NM; CSO; TO; HU; NAT; NY; BUF; FL; LAPH; MN; UT |
|
Respighi, Ottorino |
Trittico Botticelliano |
1 |
2nd mvt. |
LON; UT |
|
Respighi, Ottorino |
Feste Romane |
contra |
|
DT |
|
Reznicek, Carl |
Donna Diana Overture |
2 |
|
MIL; |
|
Rimsky-Korsakov, Nikolai |
Sheherazade |
1 |
2nd mvt. solo and cadenzas |
MIL; NY; OK; NYCOP; SY; SF; CSO; NM; MON; TO; LAN; PSO; NAT; NJ; RPO; VAS; NW; BUF; CR; CH; DOP; DAY; MEM; LON; SAN; LAPH; GRN; SDS; HU; JAK; GR; RF; TOL; AA |
|
Rossini, Gioacchino |
La Gazza Ladra |
1 |
Overture (D to E specified by GRN); USAFB version in G flat |
OK; AT; SAV; SFBAL; TO; LAN; GRN; USAFB |
|
Rossini, Gioacchino |
The Barber of Seville |
1, 2 |
Overture; Aria "Largo al factotum" |
DOP; MET; MOT; MOT2 |
|
Rossini, Gioacchino |
La Scala di Seta |
1 |
Overture (18 to end, GRN) |
GRN |
|
Saint-Säens, Camille |
Symphony 3, "Organ" |
1, 2 |
Fast tonguing in scherzo and allegro mvts. |
DT; PHL; |
|
Schoenberg, Arnold |
Kammersymphonie #1 |
contra |
|
NY; AT; SF; SLc/3 |
|
Schubert, Franz |
Symphony 9, "The Great" |
2 |
|
DT; |
|
Schuman, William |
New England Triptych |
1 |
II. When Jesus Wept, III. Chester |
IN; NAT; |
| Schumann, Robert |
Symphony #3, op. 97 |
1 |
Mvt. 2, 123-end |
PAC |
|
Shostakovich, Dmitri |
Symphony 5 |
2, contra |
Mvts 1 & 2 |
GR; SL; IN; RPO; NY; BSO; CLV; DT; PHL; TO: IN04-cbn; SLc/3 |
|
Shostakovich, Dmitri |
Symphony 6 |
2 |
beginning through #3 |
SF; |
| Shostakovich, Dmitri |
Symphony 7 |
1 |
four after 60 to seven after 65 |
UT |
| Shostakovich, Dmitri |
Symphony 8 |
|
|
RF |
|
Shostakovich, Dmitri |
Symphony 9 |
1 |
4th and 5th mvts. |
CN; CSO; FL; SY; AT; PHL; MON; BSO; TO; NAT; NW; LON; SDS; HU; UT; JAK; RF; TOL; AA; LAPH |
|
Shostakovich, Dmitri |
Symphony 10 |
1, 2, contra |
LAPH specified 4th mvt, reh 149 through 2 mm after reh 150 |
SL; AT; BSO; LAPH; SLc/3 |
|
Sibelius, Jean |
Symphony 1 |
1 |
|
AT; |
|
Sibelius, Jean |
Symphony 2 |
2 |
(HU) Mvt. 1, mm. 35-43, Mvt. 2, mm. 40-56 |
SL; AT; IN; FL; PHL; HU; VAS; CSO; MN; NY; SAN; DT; TO; IN04; GR |
|
Sibelius, Jean |
Symphony 5 |
1 |
LAPH specified 1st mvt, letter K through 1 m after letter L |
BSO; LAPH |
|
Sibelius, Jean |
Violin Concerto |
2 |
|
IN; |
|
Smetana, Biedrich |
The Bartered Bride |
1, 2 |
Overture |
NY; OK; PHL; MET; MOT; MOT2 |
| Smith, Claude T. |
Festival Variations |
1 |
excerpts provided |
USAFB |
| Sparke, Philip |
Dance Movements |
1 |
excerpts provided |
USAFB |
|
Strauss, Richard |
Don Quixote |
1, 2 |
(HU) Var. IX, #64-66, mm. 598-612 |
DT; CSO; SF; HU; NAT; MN; LAPH; NJ; SAN; IN04; GR |
|
Strauss, Richard |
Also Sprach Zarasthustra |
2 |
|
DT; PHL; PSO |
|
Strauss, Richard |
Till Eulenspiegel |
1, 2, contra |
UT specified 32 to eight before 34; LAPH specified 5 m before reh 22 through 2 mm before 22, 8th and 9th mm after reh 26 and 10 mm after reh 31 through 8 mm after reh 33 |
DT; CN; CSO; FL; AT; MEM; MON; TO; CH; VAS; MN; LON; UT; LAPH |
|
Strauss, Richard |
Death and Transfiguration |
1, 2, contra |
|
DT; CN; LAN; SF; ST; BSO; CLV; PHL; PSO; IN04-cbn |
|
Strauss, Richard |
Don Juan |
1 |
|
SAV; SPO; DT: PHL; TO |
|
Strauss, Richard |
Ein Heldenleben |
1, contra |
|
TO; LAN; NAT; DAY; |
|
Strauss, Richard |
Salome |
1, 2, contra |
Dance of the 7 Veils and contra solos; MOT2 specified 6 before #141 to #142 |
DOP; NY; MET; AT; BSO; CLV; PHL; TO; HGO; MOT; MOT2; SLc/3 |
|
Strauss, Richard |
Elektra |
1, contra |
|
NY; MET |
|
Stravinsky, Igor |
Pulcinella Suite |
1, 2 |
Scherzino, Gavotta with Variations, Toccata |
MIL; SFBAL; CN; CSO; FL; SY; TO; IN; RPO; MN; LON; IN04; HU; RF; LAPH |
|
Stravinsky, Igor |
Rite of Spring |
1 |
opening solo through 3rd measure after #3; and solo at #12 (end it on a tied a flat); SDS stiuplated use of "critical edition: Kalmus" |
SF; NY; SAV; BSO; SFBAL; PHL; CN; CSO; FL; MEM; NM; SY; MON; AT; TO; NAT; BUF; CH; CHC; DOP; NJ; NW; LON; LAPH; GRN; SDS; HU; UT; JAK; RF; TOL; AA |
|
Stravinsky, Igor |
Firebird |
1, 2 |
Introduction and Berceuse; CH, SDS and LAPH specifically asked for 1919 version |
NY; CN; DT; SFBAL; PHL; SF; NM; CSO; MON; PSO; BUF; CR; CH; FL; LAPH; SDS; HU; UT; PAC; RF; USAFB; AA |
|
Stravinsky, Igor |
Petrushka |
1, contra |
GRN: Danse Russe, 64-76, 84-91 |
SY; CLV; GRN |
|
Stravinsky, Igor |
Histoire du Soldat |
|
|
SF; |
|
Stravinsky, Igor |
Octet for Winds |
1, 2 |
|
SF; CSO; MN; |
|
Stravinsky, Igor |
Symphony of Psalms |
1 |
|
CN; |
|
Stravinsky, Igor |
Concerto for Violin |
1 (?) |
|
CSO; |
|
Stravinsky, Igor |
Symphony in 3 Movements |
1, 2 |
3rd movement 148-152 |
LAPH; |
|
Stravinsky, Igor |
Le Chant du Rossignol |
2 |
|
MN; |
|
Stravinsky, Igor |
The Rake's Progress |
1 |
Aria: "No Word from Tom" |
MET |
|
Stravinsky, Igor |
Symphony in C |
1 |
3rd movement, 104-2 measures after 106 |
LAPH |
|
Tanouye, Nathan |
Kokopelli's Dance |
1 |
excerpts provided |
USAFB |
| Tchaikovsky, Piotr |
Symphony 3 |
1 |
|
PHL; |
|
Tchaikovsky, Piotr |
Symphony 4 |
1 |
Slow mvt., mm. 274-end; 1st and 2nd mvts (SF, CSO, NAT, TOL); HU, 2nd bsn, mvt. 1, mm. 35-46, 253-274. |
MIL; GR (contra and asst/2nd); NY; DT; SF; SAV; NYCOP; BSO; SL; CN; CSO; FL; NM; SY; PHL; MON; AT; TO; LAN; PSO; HU; NAT; VAS; TUL; CH; BUF; CHC; DAY; NW; LAPH; LON; SAN; SDS; IN04-cbn; HU(04); UT; PAC; RF: TOL; SLc/3 |
|
Tchaikovsky, Piotr |
Symphony 4 |
2 |
Mvt. 1, mm. 35-46 |
RPO; PHL; TO; IN04-2; |
|
Tchaikovsky, Piotr |
Symphony 5 |
1 |
1st mvt., mm. 320-332; 2nd mvt. (CSO); 3rd mvt., mm. 16-27, 56-72; LAPH specified 3rd mvt mm 37-72 |
MIL; SF; CSO; FL; NM; MON; TO; IN; NAT; RPO; BUF; CR; CHC; LON; HU; UT; PAC; GR; LAPH |
|
Tchaikovsky, Piotr |
Symphony 6 |
1 |
1st mvt, opening through mm. 12; SF and CSO wanted 4th mvt. |
SF; NY; DT; SAV; SL; PHL; CSO; FL; NM; MON; TO; AT; BSO; IN; LAN; PSO; BUF; CH; CHC;DOP; NJ; DAY; MEM; NJ; LON; LAPH; SDS; IN04-2; IN04-cbn; HU; UT; JAK; RF; TOL; AA |
|
Tchaikovsky, Piotr |
Symphony 6 |
2 |
Scherzo: mm 82-87; Mvt. 4, mm. 1-37 |
MIL; SF; HU; RPO; TUL; MN; TO; VAS; IN04; GR |
|
Tchaikovsky, Piotr |
Romeo and Juliet |
1 |
|
NY; IN04; |
|
Tchaikovsky, Piotr |
Nutcracker |
1, 2 (DT) |
|
SFBAL; DT |
|
Verdi, Giuseppe |
I Vespri Siciliani |
1, 2 |
Overture |
CN; PHL; IN; TUL; SAN; MET; TO; MOT; MOT2 |
|
Verdi, Giuseppe |
Otello |
1, 2 |
Acts I and II runs |
DOP; MET; HGO; MOT; MOT2 |
|
Verdi, Giuseppe |
Requiem |
1 |
Dies Irae (Quid sum miser), Agnus Dei; LAPH specified Dies Irae mm 271-312 |
NJ; RF; LAPH |
|
Verdi, Giuseppe |
Aida |
1 |
Aria: "Celeste Aida" and Act III, No. 6 |
MET; MOT; MOT2 |
| Verdi, Giuseppe |
Rigoletto |
2 |
Act I, scene VI |
MOT2 |
| Verdi, Giuseppe |
Falstaff |
2 |
Act II, part 1, reh. #40 |
MOT2 |
|
Wagner, Richard |
Tannhauser |
1, 2 |
Overture (HU specified mm. 1-17); IN04 specified "NOT Hoffman version" |
NY; SF; DT; SL; CSO; IN; HU; RPO; VAS; MN; TUL; LAPH; SAN; AT; BSO; IN04; MOT2 |
|
Wagner, Richard |
Lohengrin |
|
Excerpts given by orchestra |
DOP; |
|
Wagner, Richard |
Die Meistersinger von Nürnberg |
|
Act II, Scene VI |
DOP; MET; MOT |
|
Wagner, Richard |
Parsifal |
1 |
Vorspiel |
MET |