Law 633: Copyright

Recommended Additional Reading

There's lots of excellent copyright scholarship out there, and we won't have time to read or discuss any but a tiny sliver of it. If you find that you are interested in this area of law, you may want to do further reading on your own. Here are some recommendations for places to start. Depending on how things go, it is possible that I will add one or more of these items to the syllabus. Unless and until that happens, though, these are just recommendations for further reading you may want to do if a topic captures your attention.

Chapter 1: Introduction to Copyright Law

• Amy Adler & Jeanne Fromer, Memes on Memes and the New Creativity, 97 N.Y.U. L. Rev. 453 (2022)
• Keith Aoki, Pictures Within Pictures, 36 Ohio Northern U.L. Rev. 1 (2010)
• Margaret Chon, Postmodern "Progress:" Reconsidering the Copyright and Patent Power, 43 DePaul L. Rev. 97 (1993) [via Hein Online]
• Julie E. Cohen, What Kind of Property is Intellectual Property?, 52 Houston L. Rev. 691 (2014)
• Julie Cohen, CONFIGURING THE NETWORKED SELF: LAW, CODE, AND THE PLAY OF EVERYDAY PRACTICE (2012)
• Rosemary Coombe & Nicole Aylwin, The Evolution of Cultural Heritage Ethics via Human Rights Norms, in Rosemary J. Coombe, Darren Wershler, and Martin Zeilinger, eds., DYNAMIC FAIR DEALING: CREATING CANADIAN CULTURE ONLINE (2014)
• Peter Decherney, HOLLYWOOD’S COPYRIGHT WARS: FROM EDISON TO THE INTERNET (2012)
• Jeanne C. Fromer, An Information Theory of Copyright Law, 64 Emory L.J. 71(2014)
• Kristelia Garcia, The Emperor’s New Copyright, B.U. L. Rev. (2023)
• Rebecca Giblin, A New Copyright Bargain: Reclaimg Lost Culture and Getting Authors Paid, Colum. J. L. & Arts 369 (2018)
• Rebecca Giblin, Fat Horses and Starving Sparrows, Overland 233 (Spring 2018)
• Jane C. Ginsburg, Copyright and Control Over New Technologies of Dissemination, 101 Colum. L. Rev. (2001)
• James Grimmelmann, The Ethical Visions of Copyright Law, 77 Fordham L. Rev. 2005(2009)
• Justin Hughes, The Philosophy of Intellectual Property, 77 Georgetown L.J. 287 (1988) [via Hein Online]
• Margot E. Kaminski, The Capture of International Intellectual Property Law through the U.S. Trade Regime, 87 S. Cal. L. Rev. 977 (2014)
• Benjamin Kaplan, An UNHURRIED VIEW OF COPYRIGHT (1967)
• William Landes & Richard Posner, An Economic Analysis of Copyright, 18 J. Legal Studies 325 (1989)
• Larry Lessig, FREE CULTURE (chapters 1-10)
• Mark Lemley, Faith-Based Intellectual Property, 62 UCLA L. Rev. 1328 (2015)
• Jessica Litman, DIGITAL COPYRIGHT (chapters 1-5)
• Jessica Litman, What We Don't See When We See Copyright as Property, 77 Cambridge L.J. 536 (2018)
• David McGowan, Copyright Nonconsequentialism, 69 Mo. L. Rev. (2004)
• National Research Council, COPYRIGHT IN THE DIGITAL ERA: BUILDING EVIDENCE FOR POLICY (2013)
• Neil Netanel, COPYRIGHT'S PARADOX (2008) (Introduction)
• Neil Netanel, FROM MAIMONIDES TO MICROSOFT: THE JEWISH LAW OF COPYRIGHT SINCE THE BIRTH OF PRINT (2016)
• Claudy Op den Kamp & Dan Hunter, A HISTORY OF INTELLECTUAL PROPERTY IN 50 OBJECTS (2019)
• Lyman Ray Patterson, COPYRIGHT IN HISTORICAL PERSPECTIVE (1968)
• Lyman Ray Patterson & Stanley Birch, A UNIFIED THEORY OF COPYRIGHT (2009)
• Richard A Posner, THE LITTLE BOOK OF PLAGIARISM (2007)
• Kal Raustiala & Christopher Sprigman, THE KNOCKOFF ECONOMY: HOW IMITATION SPARKS INNOVATION (2012)
• R. Anthony Reese, What Copyright Owes the Future, 50 Houston L. Rev. 287 (2012)
• Jerome Reichman & Ruith Okediji, When Copyright Law and Science Collide: Empowering Digitally Integrated Research Methods on a Global Scale, 96 Minnesota Law Review 1362 (2012)
• Lea Shaver, Copyright and Inequality, 92 Wash. L. Rev. 117 (2015)
• Jessica Silbey, AGAINST PROGRESS (2022) (in the law library) 
• Jessica Silbey, THE EUREKA MYTH: CREATORS, INNOVATORS, AND EVERYDAY INTELLECTUAL PROPERTY (2015) (in the law library)
• Jessica Silbey, Eva Subotnik, & Peter Dicola, Existential Copyright and Professional Photography, 95 Notre Dame L. Rev. 263 (2019)
• Christopher Sprigman, Copyright and Creative Incentives: What We Know (And Don't), 55 Houston L. Rev. 451 (2018)
• Sara K. Stadler, Incentive and Expectation in Copyright , 58 Hastings L.J.(2007)
• Rebecca Tushnet, Worth a Thousand Words: The Images of Copyright, 125 Harv. L. Rev. 684 (2012)

Chapter 2: Requirements for Copyright Protection

• James Boyle, The Second Enclosure Movement and the Construction of the Public Domain, 66 Law and Contemporary Problems 33 (2003)
• Robert Brauneis, Understanding Copyright's First Encounter With the Fine Arts: A Look at the Legislative History of the Copyright Act of 1870, 71 Case Western L. Rev. 585 (2020)
• Christopher Buccafusco & David Fagundes, The Moral Psychology of Copyright Infringement, 100 Minn. L. Rev. (2015)
• Christopher Buccafusco, A Theory of Copyright Authorship, 102 Virginia L. Rev. (2016)
• Christopher Buccafusco, There’s No Such Thing as Independent Creation, and it’s a Good Thing, Too, Wm & Mary L. Rev. (2022)
• Julie E. Cohen, Copyright, Commodification and Culture: Locating the Public Domain, in Lucie Guibault & P.Bernt Hugenholtz, THE FUTURE OF THE PUBLIC DOMAIN (2006)
• James Grimmelmann, There’s No Such Thing as a Computer-Generated Work—And It’s a Good Thing Too, 39 Colum. J. L. & Arts (2016)
• Justin Hughes, Size Matters (or Should) in Copyright Law, 74 Fordham L. Rev. 575 (2005)
• Peter Jaszi & Martha Woodmansee, Beyond Authorship: Refiguring Rights in Tradional Culture and Bioknowledge, in Mario Biagioli & Peter Galison, SCIENTIFIC AUTHORSHIP: CREDIT AND INTELLECTUAL PROPERTY IN SCIENCE (2002)
• Joe Miller, Hoisting Originality, 31 Cardozo L. Rev.451 (2009)
• R. Anthony Reese, Copyrightable Subject Matter in the "Next Great Copyright Act," 29 Berkeley Tech. L. J. (2015)
• Pamela Samuelson, The Story of Baker v. Selden: Sharpening the Distinction Between Authorship and Invention, in Jane C. Ginsburg & Rochelle Cooper Dreyfuss, INTELLECTUAL PROPERTY STORIES (2006)
• Pamela Samuelson, Functional Compilations, UC Berkeley Public Law Research Paper No. 2808663 (2016)
• Rebecca Tushnet, Performance Anxiety: Copyright Embodied and Disembodied, 60 J. Copyright Soc’y U.S.A. 209 (2013)

Chapter 3: Authorship

• Olufunmilayo Arewa, Blues Lives: Promise and Perils of Musical Copyright 27 Cardozo Arts & En. L.J. 573 (2010)
• Mario Biagioli, Rights or Rewards? Changing Frameworks of Scientific Authorship, in Mario Biagioli & Peter Galison, SCIENTIFIC AUTHORSHIP: CREDIT AND INTELLECTUAL PROPERTY IN SCIENCE (2002)
• Dan Burk, Thirty-Six Views of Copyright Authoriship by Jackson Pollack, 58 Houston L. Rev. 263 (2020)
• Catherine Fisk, Authors at Work: The Origin of the Work-for-Hire Doctrine, 15 Yale J. L. & Humanities 3 (2003)
• Catherine Fisk, Hollywood Workers and The Gig Economy, 2017 Univ. Chicago L. Forum 177 (2018)
• Jane C. Ginsburg, The Author’s Place in the Future of Copyright in Ruth Okediji, COPYRIGHT IN AN AGE OF EXCEPTIONS AND LIMITATIONS (2017)
• Justin Hughes, Actors as Authors in American Copyright Law, 51 Conn. L. Rev. (2018)
• Orly Lobel, YOU DON'T OWN ME: HOW MATTEL V. MGA ENTERTAINMENT EXPOSED BARBIE’S DARK SIDE (2018)
• Rebecca Tushnet, The Romantic Author and the Romance Writer: Resisting Gendered Concepts of Creativity, DIVERSITY IN INTELLECTUAL PROPERTY, (Irene Calboli & Srividhya Ragavan eds., Cambridge Univ. Press, 2015)

Chapter 4: Form versus Function: Useful Articles, Architectural Works, and Software

• Christopher Buccafusco & Jeanne C. Fromer, Fashion’s Function in Intellectual Property Law, http://ssrn.com/abstract=2826201 (Aug. 18, 2016)
• Jane C. Ginsburg, "Courts Have Twisted Themselves into Knots": US Copyright Protection for Applied Art, Columbia J. L. & Arts (2017)
• C. Scott Hemphill & Jeannie Suk, The Law, Culture and Economics of Fashion, 61 Stanford L. Rev. 1147 (2009)
• Eben Moglen, Anarchism Triumphant: Free Software and the Death of Copyright, First Monday (August, 1999)
• Kal Raustiala & Christopher Sprigman, The Piracy Paradox: Innovation and Intellectual Property in Fashion Design, 92 Va. L. Rev. 1687 (2006)
• Pamela Samuelson, Randall Davis, Mitchell D. Kapor, & Jerome H. Reichman, A Manifesto Concerning the Legal Protection of Computer Programs, 94 Colum. L. Rev. 2308 (1994) [via JSTOR]
• Pamela Samuelson, Oracle v. Google: Are APIs copyrightable?, 55 Communications of the ACM, November 2012, at 25
• Susan Scafidi, Intellectual Property and Fashion Design, in 1INTELLECTUAL PROPERTY AND INFORMATION WEALTH 115 (2006)
• Lloyd Weinreb, Copyright for Functional Expression, 111 Harv. L. Rev. 1149 (1998) [via Hein Online]

Chapter 5: The Reproduction Right and the Right to Prepare Derivative Works

• Daniel Gervais, Improper Appropriation, 23 Lewis & Clark L. Rev. 599 (2019)
• Daniel Gervais, The Derivative Right, or Why Copyright Law Protects Foxes Better than Hedgehogs, 15 Vand. J. Ent. & Tech. L. 785 (2013)
• Mark Lemley, Our Bizarre System for Proving Copyright Infringement, 57 J. Copyr. Soc’y USA 719(2010)
• Lydia Pallas Loren & R. Anthony Reese, Proving Infringement: Burdens of Proof in Copyright Infringement Litigation, 23 Lewis & Clark L. Rev. (2019)
• Pamela Samuelson, A Fresh Look at Tests for Non-Literal Copyright Infringement, 107 Northwestern U. L. Rev. 1821 (2013)
• David E. Shipley, Derivative Works and Making Sense of the Maxim That “Others Are Free to Copy the Original. They Are Not Free to Copy the Copy,” U. Dayton L. Rev. (2019)
• Christopher Sprigman & Samantha Hedrik, The Filtration Problem in Copyright’s "Substantial Similarity" Test, 23 Lewis & Clark L. Rev. 571 (2019)

Chapter 6: The Rights of Distribution, Public Performance and Public Display

• Jane Ginsburg, Twenty Years of U.S. Digital Copyright: Adapting from Analog (forthcoming 2022)
• Ariel Katz, Copyright, Exhaustion, and the Role of Libraries in nthe Ecosystem of Knowledge, 17 I/S 81 (2017)
• Aaron Perzanowski & Jason Shultz, THE END OF OWNERSHIP: PERSONAL PROPERTY IN THE DIGITAL ECONOMY (2016)
• Aaron Perzanowski & Jason Shultz, Digital Exhaustion, 58 UCLA L. Rev. 889 (2011)
• R. Anthony Reese, The Public Display Right: The Copyright Act's Neglected Solution to the Controversy Over 'RAM Copies', 2001 Illinois L. Rev. 83

Chapter 7: Copyright in Musical Works and Sound Recordings

• Olufunmilayo Arewa, From J.C. Bach to Hip Hop: Musical Borrowing, Copyright and Cultural Context, 84 N. Carolina L. Rev. 547 (2006)
• Olufunmilayo Arewa, A Musical Work is a Set of Instructions, 52 Houston L. Rev. 467 (2014)
• James Boyle, Jennifer Jenkins, & Keith Aoki, TALES FROM THE PUBLIC DOMAIN: THEFT — A HISTORY OF MUSIC (2017)
• Peter DiCola & Kembrew McLeod, CREATIVE LICENSE: THE LAW AND CULTURE OF DIGITAL SAMPLING (2011)
• Peter DiCola, Money from Music: Survey Evidence on Musicians’ Revenue and Lessons About Copyright Incentives, 55 Arizona L. Rev. 301 (2013)
• Peter DiCola & David Touve, Licensing in the Shadow of Copyright Law, 17 Stan. Tech. L. Rev. 397 (2014)
• Jospeh Fishman & Kristelia Garcia, Authoring Prior Art, 75 Vand. L. Rev. (2022)
• William Fisher III, PROMISES TO KEEP: TECHNOLOGY LAW AND THE FUTURE OF ENTERTAINMENT (2004)
• Ariel Katz, The Potential Demise of Another Natural Monopoly: Rethinking the Collective Administration of Performing Rights, 1 J. Comp. L. & Econ. 541 (2004)
• Ariel Katz & Eden Sarid, Who Killed the Radio Star? How Music Blanket Licensing Distorts the Production of Creative Content in Radio, 71 Amer. U. L. Rev. 111 (2021)
• Lydia Pallas Loren, The Dual Narratives in the Landscape of Music Copyright, 52 Houston L. Rev. 537 (2014)
• Lydia Pallas Loren, Untangling the Web of Music Copyrights, 53 Case Western Reserve L. Rev. 673 (2003)
• Lydia Pallas Loren, Copyright Jumps the Shark: The Music Modernization Act, 99 Boston U L. Rev. __ (2019)
• Glynn Lunney, COPYRIGHT’S EXCESS: MONEY AND MUSIC IN THE US RECORDING INDUSTRY (2018)(in the law library)
• Donald Passman, ALL YOU NEED TO KNOW ABOUT THE MUSIC BUSINESS (2019) (in the law library)
• Casey Rae-Hunter, Better Mousetraps: Licensing, Access, and Innovation in the New Music Marketplace, 7 J. Bus. & Tech L. 35 (2012)

Chapter 8: Moral Rights and Performers’ Rights

• Amy Adler & Jeanne Fromer, Taking Intellectual Property into their Own Hands, 107 Calif. L. Rev. __ (forthcoming 2019)
• Amy Adler, Against Moral Rights, 97 Calif. L. Rev. 263 (2009)
• Daniel Gervais, The Protection of Performers Under U.S. Law in Comparative Perspective, 5 IP Theory 116 (2015)
• Jane C. Ginsburg, Moral Rights in the US: Still in Need of a Guardian Ad Litem, 30 Cardozo Arts & Entertainment L.J. (2012)
• Roberta Rosenthal Kwall, THE SOUL OF CREATIVITY: FORGING A MORAL RIGHTS LAW FOR THE UNITED STATES (2009)
• Lydia Pallas Loren, Law, Visual Art, and Money, 22 Lewis & Clark L. Rev. 1331 (2018)

Chapter 9: Fair Use

• Patricia Aufderheide & Peter Jaszi, RECLAIMING FAIR USE: HOW TO PUT BALANCE BACK IN COPYRIGHT (2011)
• Barton Beebe, An Empirical Study of US Copyright Fair Use Opinions 1978-2005, 156 Penn. L. Rev. 549 (2008)
• David Fagundes, Market Harm, Market Help, and Fair Use, 17 Stanford Tech. L. Rev. (2014)
• Jeanne Fromer, Market Effects Bearing on Fair Use, 90 Washington L. Rev. 615 (2015)
• Jane Ginsburg, Fair Use for Free or Permitted-But-Paid?, 29 Berkeley Tech. L. J. 1383 (2014)
• Paul Goldstein, Fair Use in Context, 31 Colum. J.L. & Arts 433 (2008) [via Hein Online]
• Wendy J. Gordon, Fair Use as Market Failure, 82 Colum. L. Rev. 1600 (1982)
• Hon. Pierre Leval, Campbell as Fair Use Blueprint?, 90 Washington L. Rev. 597 (2015)
• Jessica Litman, Billowing White Goo, 31 Colum. J.L. & Arts 587 (2008)
• Jessica Litman, Campbell at 21/Sony at 31, 90 Washington L. Rev. 651 (2015)
• Joseph Liu, Copyright and Time: A Proposal, 101 Mich. L. Rev. 409 (2002)
• Lydia Pallas Loren, Fair Use: An Affirmative Defense?, 90 Washington L. Rev. 685 (2015)
• Glynn Lunney, Fair Use and Market Failure: Sony Revisited, 82 B.U.L. Rev. 975 (2002)
• Aaron Perzanowski & Jason Schultz, Copyright Exhaustion and the Personal Use Dilemma, 96 Minnesota L. Rev. 2067 (2012)
• Jennifer Rothman, Liberating Copyright: Thinking Beyond Free Speech, 95 Cornell L. Rev. 463 (2010).
• Pam Samuelson, Unbundling Fair Uses 77 Fordham L. Rev. 2537 (2009)
• Sara K Stadler, Relevant Markets for Copyrighted Works, 34 J. Corp. L. 1059 (2009)
• Rebecca Tushnet, Copy This Essay: How Fair Use Doctrine Harms Free Speech and How Copying Serves It, 114 Yale L.J. 535 (2004)
• Rebecca Tushnet, Economies of Desire: Fair Use and Marketplace Assumptions, 51 William & Mary L. Rev. 513 (2009)
• Rebecca Tushnet, Legal Fictions: Copyright, Fan Fiction, and a New Common Law, 17 Loy. L.A. Ent. L.J. 651 (1997)
• Jennifer Urban, How Fair Use Can Help Solve the Orphan Works Problem, 27 Berkeley Technology Law Journal 1379 (2012)

Chapter 10: The Different Faces of Infringement

• Annemarie Bridy, Copyright's Digital Deputies: DMCA-Plus Enforcement by Internet Intermediaries, John A. Rothchild (ed.), RESEARCH HANDBOOK ON ELECTRONIC COMMERCE LAW (2016)
• Annemarie Bridy, Addressing Infringement: Developments in Content Regulation in the US and the DNS, OXFORD HANDBOOK OF ONLINE INTERMEDIARY LIABILITY (Giancarlo Frosio, ed. 2019)
• Peter Decherney, HOLLYWOOD’S COPYRIGHT WARS: FROM EDISON TO THE INTERNET (2012)
• Niva Elkin-Koren, Making Technology Visible: Liability of Internet Service Providers for Peer-to-Peer Traffic, 9 NYU J. Legis & Public Policy 19 (2006)
• Niva Elkin-Koren & Maayan Perel, Algorithmic Governance by Online Intermediaries, OXFORD HANDBOOK OF INTERNATIONAL ECONOMIC GOVERNANCE AND MARKET REGULATION (Eric Brousseau, Jean-Michel Glachant, & Jérôme Sgard Eds. 2018)
• Jane C. Ginsburg, Separating the Sony Sheep from the Grokster Goats: Reckoning the Future Business Plans of Copyright-Dependent Technology Entrepreneurs, Arizona L. Rev. (2008)
• James Lardner, FAST FORWARD: A MACHINE AND THE COMMOTION IT CAUSED (2002)
• National Research Council, THE DIGITAL DILEMMA: INTELLECTUAL PROPERTY RIGHTS IN THE INFORMATION AGE (2000)
• Kal Raustiala & Christopher Sprigman, The Second Digital Disruption: Streaming and the Dawn of Data Driven Creativity, 94 N.Y.U. L. Rev. (2019)
• R. Anthony Reese, The Relationship Between the ISP Safe Harbors and Liability for Infringement, 2011 STAN. TECH. L. REV. 8 (2011)
• Xiyin Tang, Privatizing Copyright, Mich. L. Rev. (2022)
• Jennifer Urban, Joe Karaganis, & Brianna Schoefield, Notice and Takedown in Everyday Practice (2016)
• Jennifer Urban & Laura Quilter, Undue Process: Challenges for Rightsholders and Service Providers Implementing Section 512's Notice and Takedown Provisions (2009)

Chapter 11: Copyright Due Diligence

• Robert Brauneis, A Brief Illustrated Chronicle of Retroactive Copyright Term Extension (2015)
• Robert Brauneis, Copyright and the World's Most Popular Song, 56 J. Copyright Soc'y 335 (2009)
• Robert Brauneis and Dotan Oliar, Copyright's Race, Gender and Age: A First Quantitative Look at Registrations, http://ssrn.com/abstract=2831850 (Aug. 29, 2016)
• Robert Brauneis, A Brief Illustrated Chronicle of Retroactive Copyright Term Extension, (May 27, 2015). GWU Law School Public Law Research Paper No. 2017-16; GWU Legal Studies Research Paper No. 2017-16
• Dave Fagundes & Saurabh Vishnubhakat, Copyright’s Administrative Law, 69 J. Copr. Soc’y USA (2022)
• Daniel Gervais & Dashiell Renaud, The Future of United States Copyright Formalities: Why We Should Prioritize Recordation, and How to Do It, 28 B.T.L.J. (2013)
• Jane Ginsburg, "With Untired Spirits and Formal Constancy:" Berne-Compatibility of Formal Declaratory Measures to Enhance Title-Searching, 28 Berkely Tech. L. J. 1583 (2014)
• Paul Heald, Copyright Reversion to Authors (and the Rosetta Effect): An Empirical Study of Reappearing Books, SSRN https://ssrn.com/abstract=3099571 (2018)
• Larry Lessig, FREE CULTURE (chapters 13, 14)
• Jessica Litman, Sharing & Stealing, 26 Comm/Ent 1 (2004)
• Jessica Litman, What Notice Did, 96 Boston U. L. Rev. (2016)
• Lydia Loren, Abandoning the Orphans: An Open Access Approach to Hostage Works, 27 Berkeley Tech. L. J. 27 (2012)
• R. Anthony Reese, Termination Formalities and Notice, 96 Boston U. L. Rev. 895 (2016)
• Zvi Rosen, Examining Copyright, J. Copr. Soc’y USA (2022)
• Pamela Samuelson, The Constitutional Law of Intellectual Property After Eldred v. Ashcroft, 50 J. Cop. Soc’y 547 (2003)
• Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stanford L. Rev. 485 (2004)
• Joshua Yuvaraj, Rebecca Giblin, Daniel Russo-Batterham, Genevieve Grant, U.S. Copyright Termination Notices 1977–2020: Introducing New Datasets, 19 J. Empirical L. Studies 250 (March 2022)

Chapter 12: Copyright and Contract

• Niva Elkin-Koren, What Contracts Can't Do: The Limits of Private Ordering in Facilitating a Creative Commons, 74 Fordham L. Rev. (2005)
• Kristelia Garcia, Private Copyright Reform, 20 Mich. Telecomm. & Tech. L. Rev. 1 (2013)
• Jane C. Ginsburg, Contracts, Orphan Works, and Copyright Norms: What Role for Berne and TRIPs?, WORKING WITHIN THE BOUNDARIES OF INTELLECTUAL PROPERTY (2009)
• Margaret Jane Radin, BOILERPLATE: THE FINE PRINT, VANISHING RIGHTS, AND THE RULE OF LAW (2013)
• Margaret Jane Radin, Regulation by Contract, Regulation by Machine, 160 J. Institutional & Theoretical Econ. 1 (2004)
• R. Sikoryak, TERMS AND CONDITIONS: THE GRAPHIC NOVEL (2017) (sample posted here; Tumblr version here; buy your own copy here).
• Ruth Towse, Copyright Reversion in The Creative Industries: Economics and Fair Remuneration, 41 Colum. J. L. & Arts 467 (2018)
• Rebecca Tushnet, All of This Has Happened Before and All of This Will Happen Again: Innovation in Copyright Licensing, 29 Berkeley Tech. L.J. 1447 (2014)

Chapter 13: Copyright Litigation

• Shyamkrishna Balganesh, Irina D. Manta, & Tess Wilkinson-Ryan, Judging Similarity, 100 Iowa L. Rev. (2014)
• Jeanne Fromer, Should the Law Care Why Intellectual Property Rights Have Been Asserted?, 32 Houston L. Rev. 549 (2015)
• Mark A. Lemley & Eugene Volokh, Freedom of Speech and Injunctions in Intellectual Property Cases, 48 Duke L.J. 147 (1998)
• Mark A Lemley & R. Anthony Reese, Reducing Digital Copyright Infringement Without Restricting Innovation, 56 Stanford L. Rev. 1345 (2004)
• Neil W. Netanel, Impose a Noncommercial Use Levy to Allow Free Peer-to-Peer File Sharing , 17 Harv. J. L. & Tech. (2003)
• Pamela Samuelson & Tara Wheatland, Statutory Damages in Copyright Law: A Remedy in Need of Reform, 51 William & Mary L. Rev. 439 (2009)
• Kimberlee Weatherall, Author-Centred Copyright Enforcement?, 41 Colum. J. L. & Arts 545(2018)

Chapter 14: Technological Protections

• James Boyle, Chapter 5: The Farmers Tale: An Allegory, in THE PUBLIC DOMAIN: ENCLOSING THE COMMONS OF THE MIND (2008)
• Julie Cohen, A Right to Read Anonymously: A Closer Look at "Copyright Management" in Cyberspace, 28 Conn. L. Rev 981 (1996)
• Jane C. Ginsburg, From Having Copies to Experiencing Works: The Development of an Access Right in US Copyright Law, 50 J. Copyright Society 113 (2003)
• Jessica Litman, DIGITAL COPYRIGHT (chapters 8 - 10)
• Glynn S. Lunney, The Death of Copyright: Digital Technology, Private Copying, and the DMCA, 87 Va L. Rev. (2001)
• Aaron Perzanowski, The Limits of Copyright Office Expertise, Berkeley Tech. L. J. (2019)
• Randal Picker, Fair Use v. Fair Access, 31 Colum. J. l. & Arts (2008)
• Pamela Samuelson & Suzanne Scotchmer, The Law & Economics of Reverse Engineering, 111 Yale L. J. 1575 (2002)
• Rebecca Tushnet, I Put You There: User-Generated Content and Anticircumvention, 12 Vand. J. Ent. & Tech. L. 889 (2010)

Chapter 15: State Law Theories of Protection and their Limits

• James Boyle, Chapter 8 A Creative Commons, in THE PUBLIC DOMAIN: ENCLOSING THE COMMONS OF THE MIND (2008)
• Ralph S. Brown, Jr., Unification: A Cheerful Requiem for Common Law Copyright, 24 UCLA L Rev 1070 (1977) [via Hein Online]
• Wendy J. Gordon, On Owning Information: Intellectual Property and the Restitutionary Impulse, 78 Va. L. Rev. 149 (1992) [via JSTOR]