Linda Gregerson
435 South State Street, 3147 Angell Hall, University of Michigan
Ann Arbor, Michigan 48109-1003
(734) 764-6369 | Email:
Linda
Gregerson
CURRICULUM VITAE
Books |
Criticism | reviews,
interviews, essays | Poems
BOOKS:
Magnetic North (poems). Boston and New York: Houghton Mifflin,
2007.
Waterborne (poems). Boston and New York: Houghton Mifflin, 2002.
Negative Capability: Contemporary American Poetry. Ann Arbor: University
of Michigan Press, 2001.
The Woman Who Died in Her Sleep (poems). Boston: Houghton Mifflin, 1996.
The Reformation of the Subject: Spenser, Milton, and the English
Protestant Epic. Cambridge: Cambridge University Press, 1995.
Fire in the Conservatory (poems). Port Townsend, Washington: Dragon Gate
Press, 1982.
WORK IN PROGRESS:
Religion and Empire in the Early Modern Atlantic (edited volume,
co-edited with Susan Juster), University of Pennsylvania Press
Commonwealth of the Word: Nation and Reformation in Early Modern England
The Social Life of Poems (essays)
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CRITICISM:
"The 1590 Faerie Queene," The Oxford Handbook of Edmund Spenser,
ed. Richard McCabe. Oxford: Oxford University Press, forthcoming 2009.
"Ode and Empire," Triquarterly 129 (2007): 9-19. Rpt. in Radiant Lyre: Essays on Lyric Poetry, ed. David Baker and Ann Townsend (St. Paul: Graywolf Press, 2007), 117-28, and in Poetry Daily (January 29, 2008).
"Mortal Time," in
Radiant Lyre: Essays on Lyric Poetry, ed. David Baker and Ann
Townsend (St. Paul: Graywolf Press, 2007), 247-63.
"Spenser’s Georgic," Spenser Studies XXII (2007):
185-201.
"Life among Others," Virginia Quarterly Review 83, No 1(Winter 2007):
204-17. Rpt. in Radiant Lyre: Essays on Lyric Poetry, ed.
David Baker and Ann Townsend (St. Paul: Graywolf Press, 2007), 206-18.
"Emerging Likeness: Spenser’s Mirror Sequence of Love," rpt of The
Reformation of the Subject, chapter 1, in Literature Criticism from 1400
to 1800, Vol 117 (2005).
"Rhetorical Contract and the Lyric Poem," The Kenyon Review 28, No. 2
(Spring 2006): 161-77. Rpt. in Poetry Criticism 86 (2008)
and, as "Rhetorical Contract in the Erotic Poem," in Radiant Lyre:
Essays on Lyric Poetry, ed. David Baker and Ann Townsend (St. Paul:
Graywolf Press, 2007), 39-55.
"The Sixteenth Century," Longman Anthology of Poetry, ed. Lynne McMahon
and Averill Curdy. New York: Longman, 2006, 89-102.
"Faith and the Impossible: The Gay Sublime," The Georgia Review LVIII,
Number 2 (Summer 2004): 310-17. Rpt. in Radiant Lyre: Essays on
Lyric Poetry, ed. David Baker and Ann Townsend (St. Paul: Graywolf
Press, 2007), 175-82.
"Anatomizing Death," in Imagining Death in Spenser and Milton, ed.
Elizabeth Jane Bellamy, Patrick Cheney, and Michael Schoenfeldt.
Houndmills, Basingstoke, Hampshire and New York: Palgrave Macmillan,
2003, 95-115.
"French Marriages and the Protestant Nation in Shakespeare’s History
Plays," in The Blackwell Companion to Shakespeare’s Works; Volume II:
The Histories, ed. Richard Dutton and Jean E. Howard. Oxford: Blackwell,
2003, 246-62.
"The Sower against Gardens," The Kenyon Review NS 23, No. 1 (Winter
2001): 115-33. Rpt. in Contemporary Literary Criticism 160 (2002), and
in Critical Essays on Louise Glück, ed. Joanne Feit Diehl. Ann Arbor:
University of Michigan Press, 2005, 28-47.
"The Commonwealth of the Word: New England, Old England, and the Praying
Indians," in British Identities and English Renaissance Literature, ed.
David J. Baker and Willy Maley. Cambridge: Cambridge University Press,
2002, 178-93.
"The Secrets of Princes: Sexual Scandal and the Tudor Court," in
Das
Geheimnis am Beginn der europäischen Moderne, ed..Gisela Engel, Brita
Rang, Klaus Reichert, and Heide Wunder. Frankfurt: Vittorio Klostermann
Verlag, 2002, 130-41.
"Ben Jonson and the Loathèd Word," in Green Thoughts, Green Shades:
Contemporary Poets on the Early Modern Lyric, ed. Jonathan Post.
Berkeley: University of California Press, 2002, 86-108.
"Sexual Politics," in The Cambridge Companion to Spenser, ed. Andrew Hadfield. Cambridge: Cambridge University Press, 2001, 180-99.
"Colonials Write the Nation: Spenser, Milton, and England on the
Margins," in Milton and the Imperial Vision, ed. Balachandra Rajan and
Elizabeth Sauer. Pittsburgh: Duquesne University Press, 1999, 169-90.
Rpt. in Edmund Spenser: Essays on Culture and Allegory, ed. Jennifer
Klein Morrison and Matthew Greenfield. London: Ashgate, 2000, 89-105.
"A Colonial Writes the Commonwealth: Milton's History of Britain,"
Prose
Studies 19, No. 3 (December 1996): 247-54.
"Native Tongues: Effeminization, Miscegenation, and the Construction of
Tudor Nationalism," Mitteilungen des Zentrums zur Erforschung der Frühen
Neuzeit, No. 3 (June 1995) (Frankfurt: Renaissance Institute, Johann
Wolfgang Goethe Universität, 1995): 18-38. Rpt. as "Zur Konstruktion des
Nationalen in der Tudorzeit: Die Re-Formation des Subjekts," Bilder der
nation: Kulturelle und politische Konstruktionen des Nationalen am
Beginn der europäeischen Moderne, ed. Gisela Engel and Uli Bielefeld.
Hamburg: Verlag Edition (Hamburger institut fuer Sozialforschung), 1998,
231-64.
"Narcissus Interrupted: Specularity and the Subject of the Tudor State,"
Criticism 35, No. 1 (Winter 1993): 1-40.
"Protestant Erotics: Idolatry and Interpretation in Spenser's Faerie Queene,"
ELH 58, No. 1 (Spring 1991): 1-34.
"Negative Capability: Mark Strand," Parnassus: Poetry in Review 9, No. 2
(1981): 90-114. Rpt. in Contemporary Poets, ed. Harold Bloom (New Haven:
Chelsea House, 1986), 371-93, and in Poetry Criticism 63, forthcoming
2005.
"The Limbs of Truth: Milton's Use of Simile in Paradise Lost,"
Milton
Studies 14 (1980): 135-52.
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REVIEWS, REVIEW ESSAYS, INTERVIEWS, AND LITERARY JOURNALISM:
"The Frank Enthusiast: An Interview with Linda Gregerson," The Pinch 27,
No. 2 (Fall 2007): 138-47.
"An Interview with Linda Gregerson," The Kenyon Review website
http://www.kenyonreview.org/interviews/gregerson.php, March 2007.
"Isabella Whitney," Poetry 187. No. 6 (March 2006): 502-04.
"Eight Rules for the Poet/Critic," American Poet 29 (Fall 2005): 16-17.
"Linda Gregerson on the Art of Poetry" (interview) with Christine
Marshall and Nadine Meyer. Center: A Journal of the Literary Arts,
44-54.
"Linda Gregerson: Ann Arbor, Michigan" Poets on Place, ed. W. T. Pfefferle. Logan, Utah: Utah State UP, 2005.
"Linda Gregerson on the Art of Poetry" (interview), Kodon 57, No. 2
(Spring 2004):73-83.
"Read Me a Riddle: The Light and Darkness of Poetic Form," Planet on the
Table: Poets on the Reading Life, ed. William Olsen and Sharon Bryan.
Louisville: Sarabande Books, 2003, 189-99.
"Sir Walter Ralegh to His Son," Atlantic Unbound (www.theatlantic.com),
February 2002.
"Marvell’s ‘To His Coy Mistress,’" Atlantic Unbound (www.theatlantic.com),
February 2001.
"Shakespeare’s 116th Sonnet," Atlantic Unbound (www.theatlantic.com),
October 1999. Rpt. in X. J. Kennedy and Dana Gioia, eds. Literature: An
Introduction to Fiction, Poetry, and Drama, 8th ed. (New York: Longman,
2001), CD-ROM.
"Short Reviews: Howard, Gibson, Rukeyser, Jones," Poetry 167, No. 5
(February 1996): 287-99.
"Among the Wordstruck: John Ashbery and Heather McHugh," New York Times
Book Review 99, No. 43 (October 23, 1994): 3.
"My Lady's Damask Cheek: James Schuyler," Poetry 155, No. 5 (February
1990): 351-60. Rpt. in Discovering Authors (Detroit: Gale Research,
1996), CD-ROM, magnetic tape & online.
"Short Reviews: Wright, Gallagher, Stern, Levine," Poetry 155, No. 3
(December 1989): 229-39. "Amplitude: Tess Gallagher," rpt. in
Contemporary Literary Criticism 63 (1991): 125, in Poetry Criticism 9
(1994): 61-62, and in Discovering Authors (Detroit: Gale Research,
1996), CD-ROM, magnetic tape & online. "A Walk with Tom Jefferson:
Philip Levine," rpt. in On the Poetry of Philip Levine: Stranger to
Nothing, ed. Christopher Buckley (Ann Arbor: Univer¬sity of Michigan
Press, 1991), 272-74, and in Contemporary Literary Criticism 118
(1999): 286-87. "Zone Journals: Charles Wright," rpt. in Contemporary Literary
Criticism 146 (2001).
"A Cradle of String: May Swenson," Poetry 154, No. 4 (July 1989):
233-38. Rpt. in Contemporary Literary Criticism 61 (1990): 404-05, in
Discovering Authors (Detroit: Gale Research, 1992), CD-ROM, and in
Discovering Authors - British. Detroit: Gale Research, 1995, CD-ROM.
"Short Reviews: Shore, Kenyon, Meredith, Nemerov, Agoos, Williams,
Hollander," Poetry 151, No. 5 (February 1988): 419-36. "Partial
Accounts: William Meredith," rpt. in Contemporary Literary Criticism
Yearbook 55 (1989): 192. "Flesh and Blood: C. K. Williams," rpt. in
Contemporary Literary Criticism 56 (1989): 427-28.
"Navigable Waterways: Pamela Alexander," Boston Review 10, No. 3 (July
1985): 28.
"Eight Women Poets: Olds, Oliver, Gilbert, Schnackenberg, Tichy,
Funkhouser, McBride, Dove," Poetry 145, No. 1 (October 1984): 36-49.
"The Dead and the Living: Sharon Olds," rpt. in Contemporary Literary
Criticism 39 (1986): 189-90, and in Modern American Literature, Vol. 2,
5th ed. (Farmington Hills, MI: St. James Press, 1998), 401-02. "American
Primitive: Mary Oliver," rpt. in Contemporary Literary Criticism
34
(1985): 248-49. "Portraits and Elegies: Gjertrud Schnackenberg," rpt. in
Contemporary Literary Criticism 40 (1986): 379-80.
"Unequal Seas: Dennis Schmitz, Thomas Lux, Cynthia Macdonald,"
Parnassus: Poetry in Review 8, No. 2 (1980): 210-28.
"Writing on Assignment: Laurence Lieberman," University Publishing 8
(Fall 1978): 16.
"Traveling Abroad at Home: The Wendy Rogers Dance Company," New
Performance 1, No. 3 (Fall 1978): 28-34.
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"Dido Refuses to Speak,"
The Kenyon Review, forthcoming.
"Another Diana," Smartish Pace, forthcoming.
"Constitutional," The Atlantic Monthly 301, No. 2 (March 2008): 80.
"De Magnete," The Laurel
Review 41, No. 2 (2007): 52-55.
"Prodigal," "Over Easy," The Kenyon Review NS 19, No. 2 (Spring 2007):
72-76.
"The Turning," The Chapel Doom," "Dido in Darkness," New England Review
27, No. 4 (2006): 25-35.
"At the Window," Slate (www.slate.com, posted December 12, 2006).
"Make-Falcon," Ploughshares 32, No. 4 (Winter 2006-07): 37-39.
"Sweet," "Spring Snow," Poetry 189, No. 2 (November 2006): 111-116.
"Bicameral," The Kenyon Review NS 28, No. 3 (Summer 2006): 53-56. Rpt.
in American Alphabets: 25 Contemporary Poets, ed. David Walker. Oberlin:
Oberlin College Press, 2006, 168-84.
"The Burning of Madrid as Seen from the Terrace of My House," The Kenyon
Review NS 28, No 3 (Summer 2006): 57-62.
"Bright Shadow," The Atlantic Monthly (Fiction Issue, Summer 2006): 49.
"The Day-Breaking If Not the Full Sun Shining on the Progresse of the
Gospel in New-England," American Poet 29 (Fall 2005): 18-19.
"Father Mercy, Mother Tongue," "My Father Comes Back from the Grave,"
Poetry 186, No. 3 (June 2005): 197-203.
"No Lion No Moon," Triquarterly 119 (summer 204): 37-40.
"Elegant," Triquarterly 119 (summer 2004): 33-36; rpt. Wild Reckoning:
An Anthology Provoked by Rachel Carson’s Silent Spring, ed. John
Burnside and Maurice Riordan. London: Calouste Gulbenkian Foundation,
2004, 91-95; and in American Alphabets: 25 Contemporary Poets, ed. David
Walker. Oberlin: Oberlin College Press, 2006, 168-84.
"Maculate," Triquarterly 113 (Summer 2002): 29-31.
"A History Play," Triquarterly 113 (Summer 2002): 31-33. Rpt. in
Family,
ed. Steven Henry Madoff. Ridgefield, CT: The Aldrich Museum of
Contemporary Art, 2002, 67-68.
"Horace II xix," "Horace III xxiii," in Horace, The Odes: New
Translations by Contemporary Poets, ed. J. D. McClatchy. Princeton:
Princeton University Press, 2002, 153, 221.
"The Horses Run Back to Their Stalls," The Atlantic Monthly 289, No. 3
(March 2002): 78.
"Half Light," Poetry, 179, No. 6 (March 2002): 334-37. Rpt. in The Book
of St. Andrews, ed. Robert Crawford. Edinburgh: Polygon, 2005, 123-27.
"Interior of the Oude Kerk, Delft, with Open Grave," Poetry 179, No. 6
(March 2002): 338-40.
"Pass Over," New England Review 22, No. 3 (Summer 2001): 87-90. Rpt. in
Poetry Daily (http://www.poems.com), October 6, 2001.
"Cranes on the Seashore," The Kenyon Review NS 23, No. 1 (Winter 2001):
134-39. Rpt. in American Alphabets: 25 Contemporary Poets, ed. David
Walker. Oberlin: Oberlin College Press, 2006, 168-84.
"Cord," The Kenyon Review NS 23, No. 1 (Winter 2001): 134-39. Rpt. in
Hammer & Blaze: A Gathering of Contemporary American Poets, ed. Heather
McHugh and Ellen Bryant Voigt. Athens, GA: University of Georgia Press,
2002, 138-40; in The Pushcart Prize XXVII: Best of the Small Presses,
ed. Bill Henderson, poetry eds. Pattiann Rogers, Carl Phillips.
Wainscott, NY: Pushcart Press, 2003, 305-07; and in Echoes: Poems for
William Meredith, ed. Richard Harteis. Poughkeepsie, NY: Vivisphere,
2004, 30-31.
"Waterborne," The Atlantic Monthly 285, No. 5 (May 2000): 107. Rpt. in
The Huron River: Voices from the Watershed, ed. John Knott and Keith
Taylor. Ann Arbor: University of Michigan Press, 2000, 107-08; and in
The Best American Poetry 2001, ed. Robert Hass, series ed. David Lehman.
New York: Scribner, 2001, 95-97.
"Eyes Like Leeks," The Yale Review 88, No. 2 (April 2000): 73-74. Rpt.
in The New Bread Loaf Anthology of Contemporary American Poetry, ed.
Michael Collier and Stanley Plumly. Hanover: University Press of New
England, 1999, 95-96.
"Grammatical Mood," Joe 1, No. 1 (1999): 64-65. Rpt. in Hammer & Blaze:
A Gathering of Contemporary American Poets, ed. Heather McHugh and Ellen
Bryant Voigt. Athens, GA: University of Georgia Press, 2002, 135-38.
"Petrarchan," New England Review 19, No 4 (Fall 1998): 64-66.
"Noah's Wife," Poetry 173, No. 2 (December 1998): 162-63. Rpt. in
The
New Bread Loaf Anthology of Contemporary American Poetry, ed. Michael
Collier and Stanley Plumly. Hanover: University Press of New England,
1999, 97-98; and in Poetry Daily (http://www.poems.com), April 23, 2002.
"Arnolfini and His Wife," How Words See, ed. Ann Rosener. Menlo Park,
CA: Occasional Works, 1998, 20.
"Luke 17:32," "With Emma at the Ladies-Only Swimming Pond on Hampstead
Heath," The Kenyon Review NS 18, Nos. 3/4 (Summer/Fall 1996): 1-6.
"Target," The Atlantic Monthly 278, No. 4 (October 1996): 77-78.
"The Woman Who Died in Her Sleep," The Yale Review 84, No. 4 (October
1996): 63-67. Rpt. in New Poems from the Third Coast, ed. Michael Delp,
Conrad Hilberry, and Josie Kearns. Detroit: Wayne State University
Press, 2000, 76-77.
"Bleedthrough," Poetry 168, No. 4 (July 1996): 218-21. Rpt. in
A Visit
to the Gallery, ed. Richard Tillinghast. Ann Arbor: The University of
Michigan Museum of Art, 1997, 65-68.
"Fish Dying on the Third Floor at Barney's," Ploughshares 21, No. 4
(Winter 1995/96): 69-71. Rpt. in New Poems from the Third Coast, ed.
Michael Delp, Conrad Hilberry, and Josie Kearns. Detroit: Wayne State
University Press, 2000, 77-79.
"Bad Blood," Partisan Review 62, No. 1 (1995): 107-09.
"Creation Myth," Colorado Review 21, No. 1 (Spring 1994): 180-85.
"Sold," The Boston Review 19, No. 2 (April/May 1994): 14.
"Bunting," Triquarterly 89 (Winter 1993/94): 210-14.
"For the Taking," The Atlantic Monthly 272, No. 5 (November 1993): 132.
Rpt. in PSA News (Newsletter of the Poetry Society of America) 43
(Winter 1994): 27-28, in Nature's Ban: Women's Incest Literature, ed.
Karen Jacobsen McLennan. Boston: Northeastern University Press, 1996,
378-80; in New Poems from the Third Coast, ed. Michael Delp, Conrad
Hilberry, and Josie Kearns. Detroit: Wayne State University Press, 2000,
75-76; and in American Alphabets: 25 Contemporary Poets, ed. David
Walker. Oberlin: Oberlin College Press, 2006, 168-84.
"Salt," Colorado Review 20, No. 1 (Spring 1993): 80-83. Rpt. in
The
Pushcart Prize XIX: Best of the Small Presses, ed. Bill Henderson,
poetry eds. Lynn Emanuel and David St. John. Wainscott, NY: Pushcart
Press, 1994/95, 478-80; and in The Pushcart Book of Poetry: The Best
Poems from the First 30 Years of the Pushcart Prize, ed. Joan Murray. Wainscott, NY: Pushcart Press, 2006.
"The Resurrection of the Body," Poetry 162, No. 1 (April 1993): 14-15.
"Line Drive Caught by the Grace of God," Ideas (The National Humanities
Center) 1, No. 1 (Summer 1992): 18-23. Rpt. in Washington Post Book
World XXVIII, No. 23 (June 7, 1998): 2, in The Extraordinary Tide: New
Poetry by American Women, ed. Susan Aizenberg and Erin Belieu. New York:
Columbia University Press, 2001, 137-38; in Motion: American Sports
Poems, ed. Noah Blaustein. Iowa City: University of Iowa Press, 2001,
97-98; and in Line Drives: 100 Contemporary Baseball Poems, ed. Brooke
Horvath and Tim Wiles. Carbondale: Southern Illinois University Press,
2002, 160-61.
"Good News," Poetry 157, No. 3 (December 1990): 129-31. Rpt. in
The
Boston Review 19, No. 2 (April/May 1994): 14.
"An Arbor," Poetry 157, No. 3 (December 1990): 132-34. Rpt. in Orion 13,
No. 1 (Winter 1994): 34-35; and in Writing Ann Arbor: A Literary
Anthology, ed. Laurence Goldstein. Ann Arbor: University of Michigan
Press, 2005, 226-28.
"Safe," The Atlantic Monthly 265, No. 3 (March 1990): 84-85. Rpt. in
The
Best American Poetry 1991, ed. Mark Strand, series ed. David Lehman. New
York: Scribner, 1991, 73-6, 283-84; and in American Alphabets: 25
Contemporary Poets, ed. David Walker. Oberlin: Oberlin College Press,
2006, 168-84.
"The Bad Physician," The Atlantic Monthly 259, No. 1 (January 1987): 67.
"Whale Washed Ashore at Ancona," The Iowa Review 16, No. 1 (Winter
1986): 178-79.
"For My Father, Who Would Rather Stay Home," Partisan Review 53, No. 4
(1986): 577-80. Rpt. in Ideas (The National Humanities Center) 1, No. 1
(Summer 1992).
"Malbecco," Agni Review 22 (1985): 95.
"Blazon," Seneca Review 14, No. 2 (1984): 35-36. Rpt. in
Seneca Review
25, No. 1 (25th Anniversary Retrospective) (1995): 51-52.
"I See a Voice," Seneca Review 14, No. 2 (1984): 37-38.
"Bachelors' Wives," Ploughshares 10, No. 4 (1984): 74-75.
"Saints' Logic," Grand Street 3, No. 3 (1984): 114-15. Rpt. in
The
Boston Review 19, No. 2 (April/May 1994): 14; in Poetry Daily (http://www.poems.com)
(November 23, 1997); in The Extraordinary Tide: New Poetry by American
Women, ed. Susan Aizenberg and Erin Belieu. New York: Columbia
University Press, 2001, 136-37; and in Poetry Daily: 366 Poems from the
World's Most Popular Poetry Website, ed. Diane Boller, Don Selby, and
Chryss Yost. Naperville IL: Sourcebooks, 2003, 377.
"Mother Ruin," The Atlantic Monthly 253, No. 2 (February 1984): 56. Rpt.
in Anthology of Magazine Verse and Yearbook of American Poetry (1985);
and in The Extraordinary Tide: New Poetry by American Women, ed. Susan Aizenberg and Erin Belieu. New York: Columbia University Press, 2001,
138-39.
"Halfe a Yard of Rede Sea," Virginia Quarterly Review 59, No. 2 (Spring
1983): 245-46.
"Goering at Nuremburg," Antaeus No. 47 (Autumn 1982): 87-88. Rpt. in
Anthology of Magazine Verse and Yearbook of American Poetry (1984).
"Maudlin; or, The Magdalen's Tears," Antaeus No. 47 (Autumn 1982):
89-90.
"Ex Machina," New England Review 4, No. 4 (Summer 1982): 594.
"The Weather," "Egress," "Neck Verse," Poetry Now (1981).
"De Arte Honeste Amandi," The Iowa Review 12, Nos. 2/3 (Spring/Summer
1981): 134-36. Rpt. in Extended Outlooks, ed. Jane Cooper, Gwen Head, Adalaide Morris, Marcia Southwick. New York: Macmillan, 1982, 134-36.
"To Albert Speer," The Iowa Review 11, Nos. 2/3 (Spring/Summer 1980):
191.
"Wife," "Frame," "The Three-Legged Dog at the Heart of Our Home,"
Poetry
136, No. 2 (May 1980): 76-78.
"Beggar-My-Neighbor," "Much Missed," Crazy Horse 20 (Spring 1980):
36-39.
"Man Sitting in the Sun," "Without You," Ohio Review 20, No. 2
(Spring/Summer 1979): 33.
"Vladimir Horowitz, Clementi's Sonata Quasi Concerto, Opus 33,"
Quarterly West, No. 9 (Spring/Summer 1979): 67.
"Fire in the Conservatory," Field 20 (Spring 1979): 18-19.
"Russia, Morocco, Peru," Ploughshares 5, No. 1 (1979): 56.
"One More," "A Thursday in November, 5:00 PM," Ironwood 11 (Spring
1978).
"Rain," Field 17 (Fall 1977): 19.
"Alone," "Each Day," Shenandoah 28, No. 4 (Summer 1977): 51.
"Norway," Field 14 (Spring 1976): 18-19. Rpt. in Best Poems of 1976 (Borestone
Mountain Poetry Awards 1977): 41-42; and in American Alphabets: 25
Contemporary Poets, ed. David Walker. Oberlin: Oberlin College Press,
2006, 168-84.
"Illinois Again," Pocket Pal (Fall 1975).
"The Note," "Bowls," "Closet," Field 11 (Fall 1974): 56-58.
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