Linda Gregerson  

 

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  Linda Gregerson
Caroline Walker Bynum Distinguished University Professor
of English Language and Literature

University of Michigan
Ann Arbor, Michigan 48109


CURRICULUM VITAE 

 

Books | Criticism | reviews, interviews, essays | Poetry  
  

BOOKS:

The Selvage (poems). Boston and New York: Houghton Mifflin Harcourt, forthcoming 2012.

Empires of God: Religious Encounters in the Early Modern Atlantic World, co-edited with Susan Juster. Philadelphia: University of Pennsylvania Press, 2011.

Magnetic North (poems). Boston and New York: Houghton Mifflin, 2007.

Waterborne (poems). Boston and New York: Houghton Mifflin, 2002.

Negative Capability: Contemporary American Poetry. Ann Arbor: University of Michigan Press, 2001.

The Woman Who Died in Her Sleep (poems). Boston: Houghton Mifflin, 1996.

The Reformation of the Subject: Spenser, Milton, and the English Protestant Epic. Cambridge: Cambridge University Press, 1995.

Fire in the Conservatory (poems). Port Townsend, Washington: Dragon Gate Press, 1982.


WORK IN PROGRESS:


The Social Life of Poems (essays)

Commonwealth of the Word: Nation and Reformation in Early Modern England
 

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CRITICISM:

"
Spenser Up Close: Temporality in The Faerie Queene," Shakespeare Up Close, ed. Russ McDonald, Nicholas Nace, and Travis Williams. London: Bloomsbury/Arden/Methuen, 2012, forthcoming. Rev. version forthcoming in The Spenser Review.

"The 1590 Faerie Queene," The Oxford Handbook of Edmund Spenser, ed. Richard McCabe. Oxford: Oxford University Press, 2010, 198-217.

"Ode and Empire," Triquarterly 129 (2007): 9-19.  Rpt. in Radiant Lyre: Essays on Lyric Poetry, ed. David Baker and Ann Townsend (St. Paul: Graywolf Press, 2007), 117-28, and in Poetry Daily (January 29, 2008).

"Spenser’s Georgic," Spenser Studies XXII (2007): 185-201.

"Life among Others," Virginia Quarterly Review 83, No 1(Winter 2007): 204-17.  Rpt. in Radiant Lyre: Essays on Lyric Poetry, ed. David Baker and Ann Townsend (St. Paul: Graywolf Press, 2007), 206-18.

"Mortal Time," in Radiant Lyre: Essays on Lyric Poetry, ed. David Baker and Ann Townsend (St. Paul: Graywolf Press, 2007), 247-63.

"Emerging Likeness: Spenser’s Mirror Sequence of Love," rpt of The Reformation of the Subject, chapter 1, in Literature Criticism from 1400 to 1800, Vol 117 (2005).

"Rhetorical Contract and the Lyric Poem," The Kenyon Review 28, No. 2 (Spring 2006): 161-77.  Rpt. in Poetry Criticism 86 (2008) and, as "Rhetorical Contract in the Erotic Poem," in Radiant Lyre: Essays on Lyric Poetry, ed. David Baker and Ann Townsend (St. Paul: Graywolf Press, 2007), 39-55.

"The Sixteenth Century," Longman Anthology of Poetry, ed. Lynne McMahon and Averill Curdy. New York: Longman, 2006, 89-102.

"Faith and the Impossible: The Gay Sublime," The Georgia Review LVIII, Number 2 (Summer 2004): 310-17.  Rpt. in Radiant Lyre: Essays on Lyric Poetry, ed. David Baker and Ann Townsend (St. Paul: Graywolf Press, 2007), 175-82.

"Anatomizing Death," in Imagining Death in Spenser and Milton, ed. Elizabeth Jane Bellamy, Patrick Cheney, and Michael Schoenfeldt. Houndmills, Basingstoke, Hampshire and New York: Palgrave Macmillan, 2003, 95-115.

"French Marriages and the Protestant Nation in Shakespeare’s History Plays," in The Blackwell Companion to Shakespeare’s Works; Volume II: The Histories, ed. Richard Dutton and Jean E. Howard. Oxford: Blackwell, 2003, 246-62.

"The Sower against Gardens," The Kenyon Review NS 23, No. 1 (Winter 2001): 115-33. Rpt. in Contemporary Literary Criticism 160 (2002), and in Critical Essays on Louise Glück, ed. Joanne Feit Diehl. Ann Arbor: University of Michigan Press, 2005, 28-47, and in Contemporary Poets, New Edition (Modern Critical Views), ed. Harold Bloom. New York: Chelsea House, 2010, 109-27.

"The Commonwealth of the Word: New England, Old England, and the Praying Indians," in British Identities and English Renaissance Literature, ed. David J. Baker and Willy Maley. Cambridge: Cambridge University Press, 2002, 178-93. Rpt. in Empires of God: Religious Encounters in the Early Modern World, ed. Linda Gregerson and Susan Juster. Philadelphia: University of Pennsylvania Press, 2011, 70-83.

"The Secrets of Princes: Sexual Scandal and the Tudor Court," in Das Geheimnis am Beginn der europäischen Moderne, ed..Gisela Engel, Brita Rang, Klaus Reichert, and Heide Wunder. Frankfurt: Vittorio Klostermann Verlag, 2002, 130-41.

"Ben Jonson and the Loathèd Word," in Green Thoughts, Green Shades: Contemporary Poets on the Early Modern Lyric, ed. Jonathan Post. Berkeley: University of California Press, 2002, 86-108.

"Sexual Politics," in The Cambridge Companion to Spenser, ed. Andrew Hadfield. Cambridge: Cambridge University Press, 2001, 180-99.

"Colonials Write the Nation: Spenser, Milton, and England on the Margins," in Milton and the Imperial Vision, ed. Balachandra Rajan and Elizabeth Sauer. Pittsburgh: Duquesne University Press, 1999, 169-90. Rpt. in Edmund Spenser: Essays on Culture and Allegory, ed. Jennifer Klein Morrison and Matthew Greenfield. London: Ashgate, 2000, 89-105.

"A Colonial Writes the Commonwealth: Milton's History of Britain," Prose Studies 19, No. 3 (December 1996): 247-54.

"Native Tongues: Effeminization, Miscegenation, and the Construction of Tudor Nationalism," Mitteilungen des Zentrums zur Erforschung der Frühen Neuzeit, No. 3 (June 1995) (Frankfurt: Renaissance Institute, Johann Wolfgang Goethe Universität, 1995): 18-38. Rpt. as "Zur Konstruktion des Nationalen in der Tudorzeit: Die Re-Formation des Subjekts," Bilder der nation: Kulturelle und politische Konstruktionen des Nationalen am Beginn der europäeischen Moderne, ed. Gisela Engel and Uli Bielefeld. Hamburg: Verlag Edition (Hamburger institut fuer Sozialforschung), 1998, 231-64.

"Narcissus Interrupted: Specularity and the Subject of the Tudor State," Criticism 35, No. 1 (Winter 1993): 1-40.

"Protestant Erotics: Idolatry and Interpretation in Spenser's Faerie Queene," ELH 58, No. 1 (Spring 1991): 1-34.

"Negative Capability: Mark Strand," Parnassus: Poetry in Review 9, No. 2 (1981): 90-114. Rpt. in Contemporary Poets, ed. Harold Bloom (New Haven: Chelsea House, 1986), 371-93, and in Poetry Criticism 63, 2005.

"The Limbs of Truth: Milton's Use of Simile in Paradise Lost," Milton Studies 14 (1980): 135-52.

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REVIEWS, REVIEW ESSAYS, INTERVIEWS, AND LITERARY JOURNALISM:

“Going Elsewhere,” The Rag-Picker’s Guide to Poetry:  Poems, Poets, Process, ed. Eleanor Wilner and Maurice Manning. Ann Arbor: University of Michigan Press, forthcoming.

"The Self in the Poem: Walt Whitman," Virginia Quarterly Review 88, No. 2 (Spring 2012): 17-21.

"Handedness," Kenyon Review NS 34, No. 2 (Spring 2012): 46-61.

“Out of Childhood: On Muriel Rukeyser,” Field 85 (Fall 2011): 11-14.

“Making a Poem," Linda Gregerson interviewed by Fiona Sampson, Mslexia 51 (UK), (Oct/Nov/Dec 2011): 49.

“Flat-Lit: On Charles Wright," Northwest Review 49:2 (November 2011): 99-100.

"A Conversation with Linda Gregerson," John Burnside, PN Review (UK) 190 (36:2; November-December 2009): 33-38.

"An Interview with Linda Gregerson," Adam Day, Memorious 13 (October 2009) http://www.memorious.org/?id=308.

"The Frank Enthusiast: An Interview with Linda Gregerson," The Pinch 27, No. 2 (Fall 2007): 138-47.

"An Interview with Linda Gregerson," The Kenyon Review website http://www.kenyonreview.org/interviews/gregerson.php, March 2007.
Rpt. in David Baker, Talk Poetry:  Poems and Interviews with Nine American Poets. Fayetteville: University of Arkansas Press, forthcoming 2012.

"Isabella Whitney," Poetry 187. No. 6 (March 2006): 502-04.

"Eight Rules for the Poet/Critic," American Poet 29 (Fall 2005): 16-17.

"Linda Gregerson on the Art of Poetry" (interview) with Christine Marshall and Nadine Meyer. Center: A Journal of the Literary Arts, Vol. 4 (2005): 44-54.

"Linda Gregerson: Ann Arbor, Michigan" Poets on Place, ed. W. T. Pfefferle. Logan, Utah: Utah State UP, 2005.

"Linda Gregerson on the Art of Poetry" (interview), Kodon 57, No. 2 (Spring 2004):73-83.

"Read Me a Riddle: The Light and Darkness of Poetic Form," Planet on the Table: Poets on the Reading Life, ed. William Olsen and Sharon Bryan. Louisville: Sarabande Books, 2003, 189-99.

"Sir Walter Ralegh to His Son," Atlantic Unbound (www.theatlantic.com), February 2002.

"Marvell’s ‘To His Coy Mistress,’" Atlantic Unbound (www.theatlantic.com), February 2001.

"Shakespeare’s 116th Sonnet," Atlantic Unbound (www.theatlantic.com), October 1999. Rpt. in X. J. Kennedy and Dana Gioia, eds. Literature: An Introduction to Fiction, Poetry, and Drama, 8th ed. (New York: Longman, 2001), CD-ROM.

"Short Reviews: Howard, Gibson, Rukeyser, Jones," Poetry 167, No. 5 (February 1996): 287-99.

"Among the Wordstruck: John Ashbery and Heather McHugh," New York Times Book Review 99, No. 43 (October 23, 1994): 3.

"My Lady's Damask Cheek: James Schuyler," Poetry 155, No. 5 (February 1990): 351-60. Rpt. in Discovering Authors (Detroit: Gale Research, 1996), CD-ROM, magnetic tape & online.

"Short Reviews: Wright, Gallagher, Stern, Levine," Poetry 155, No. 3 (December 1989): 229-39. "Amplitude: Tess Gallagher," rpt. in Contemporary Literary Criticism 63 (1991): 125, in Poetry Criticism 9 (1994): 61-62, and in Discovering Authors (Detroit: Gale Research, 1996), CD-ROM, magnetic tape & online. "A Walk with Tom Jefferson: Philip Levine," rpt. in On the Poetry of Philip Levine: Stranger to Nothing, ed. Christopher Buckley (Ann Arbor: University of Michigan Press, 1991), 272-74, and in Contemporary Literary Criticism 118 (1999): 286-87. "Zone Journals: Charles Wright," rpt. in Contemporary Literary Criticism 146 (2001).

"A Cradle of String: May Swenson," Poetry 154, No. 4 (July 1989): 233-38. Rpt. in Contemporary Literary Criticism 61 (1990): 404-05, in Discovering Authors (Detroit: Gale Research, 1992), CD-ROM, and in Discovering Authors - British. Detroit: Gale Research, 1995, CD-ROM.

"Short Reviews: Shore, Kenyon, Meredith, Nemerov, Agoos, Williams, Hollander," Poetry 151, No. 5 (February 1988): 419-36. "Partial Accounts: William Meredith," rpt. in Contemporary Literary Criticism Yearbook 55 (1989): 192. "Flesh and Blood: C. K. Williams," rpt. in Contemporary Literary Criticism 56 (1989): 427-28.

"Navigable Waterways: Pamela Alexander," Boston Review 10, No. 3 (July 1985): 28.

"Eight Women Poets: Olds, Oliver, Gilbert, Schnackenberg, Tichy, Funkhouser, McBride, Dove," Poetry 145, No. 1 (October 1984): 36-49. "The Dead and the Living: Sharon Olds," rpt. in Contemporary Literary Criticism 39 (1986): 189-90, and in Modern American Literature, Vol. 2, 5th ed. (Farmington Hills, MI: St. James Press, 1998), 401-02. "American Primitive: Mary Oliver," rpt. in Contemporary Literary Criticism 34 (1985): 248-49. "Portraits and Elegies: Gjertrud Schnackenberg," rpt. in Contemporary Literary Criticism 40 (1986): 379-80.

"Unequal Seas: Dennis Schmitz, Thomas Lux, Cynthia Macdonald," Parnassus: Poetry in Review 8, No. 2 (1980): 210-28.

"Writing on Assignment: Laurence Lieberman," University Publishing 8 (Fall 1978): 16.

"Traveling Abroad at Home: The Wendy Rogers Dance Company," New Performance 1, No. 3 (Fall 1978): 28-34.

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POETRY:

"Lately I've Taken To," The Atlantic Monthly, forthcoming.

“Slight Tremor," The Atlantic Monthly, 309, No. 2 (March 2012): 48.

"Getting and Spending,” Shakespeare’s Sisters: Women Writers Bridge Five Centuries, ed. Gigi Bradford and Louisa Newlin. Washington DC:  Folger Shakespeare Library, 2012: 6-8.

“Pajama Quotient,” Poetry, (July/August 2011): 306-07.

“Ariadne in Triumph,” Granta, 115 (Spring 2011): 77-80.

"Slaters' Measure," The Paris Review 196 (Spring 2011): 178-83.

"Theseus Forgetting," New England Review 31, No. 4 (2010/11): 172-73.

"Still Life," The New Yorker (November 29, 2010): 64-65; rpt. in Saying What Happened: American Poetry after the Millennium, ed. Ann Keniston and Jeffrey Gray. Jefferson, NC: McFarland, forthcoming 2012.

"The Selvage," Poetry 198, No. 3 (December 2010): 230-31; with commentary: 232-35; rpt. in The Cork Literary Review (Cork, Ireland), forthcoming, and in Saying What Happened: American Poetry after the Millennium, ed. Ann Keniston and Jeffrey Gray. Jefferson, NC: McFarland, forthcoming 2012; and in Alhambra Poetry Calendar 2012. Bertem, Belgium: Alhambra Publishing, forthcoming.

"His Shadow," Northwest Review 48, No. 2 (Fall 2010): 9-10.

"Catch," Triquarterly 137 (Spring 2010): 52-54.

"Varenna," The Atlantic Monthly, Fiction Issue 2010 (April 2010): 66.

"More Instructive Than a Long Trip to Europe," "Ovid in Exile," PN Review (UK) 191(2009): 29-30.

"Her Argument for the Existence of God," PN Review (UK) 191(2009): 29-30; rpt. in The New Warren Wilson Poetry Anthology, ed. Eleanor Wilner and Maurice Manning, forthcoming.

"The Death of Ananias," and "The Tribute Money," Poetry Review (UK) 99:4 (Winter 2009): 13-16.

"Saint Peter in Prison," and "The Baptism of the Neophytes," The Atlantic Monthly, Fiction Issue 2009 (July 2009): 66-67.

"Blink," Boston Review 34, No. 2 (March/April 2009): 25.

"Dido Refuses to Speak," The Kenyon Review NS 31, No. 1 (Winter 2009): 20-26. Rpt. in The Pushcart Prize XXXV (2010).

"Constitutional," The Atlantic Monthly 301, No. 2 (March 2008): 80.

"Another Diana," Smartish Pace 14 (Spring 2007).

"De Magnete," The Laurel Review 41, No. 2 (2007): 52-55.

"Prodigal," The Kenyon Review NS 29, No. 2 (Spring 2007): 72-74. Rpt. Alhambra Poetry Calendar 2011, ed. Shafiq Naz. Bertem, Belgium: Alhambra Publishing, 2010: unpaginated; in David Baker, Talk Poetry (Fayetteville: University of Arkansas Press, 2012), 3-5; and in The Rag-Picker's Guide to Poetry: Poems, Poets, Process, ed. Eleanor Wilner and Maurice Manning, forthcoming.

"Over Easy," The Kenyon Review NS 29, No. 2 (Spring 2007): 75-76. Rpt. Alhambra Poetry Calendar 2008. Bertem, Belgium: Alhambra Publishing, 2007: 242-43, and in David Baker, Talk Poetry (Fayetteville: University of Arkansas Press, 2012): 6-7.

"Dido in Darkness," "The Chapel Doom," New England Review 27, No. 4 (2006): 25-32.

"The Turning," New England Review 27, No. 4 (2006): 33-35. Rpt. in PN Review (UK) 190 (November-December 2009): 36-37.

"At the Window," Slate (www.slate.com, posted December 12, 2006).

"Make-Falcon," Ploughshares 32, No. 4 (Winter 2006-07): 37-39. Rpt. in Bright Wings, ed. Billy Collins. New York: Columbia University Press, 2009. 55-58.

"Sweet," Poetry 189, No. 2 (November 2006): 111-113; rpt. in Saying What Happened: American Poetry after the Millennium, ed. Ann Keniston and Jeffrey Gray. Jefferson, NC: McFarland, forthcoming 2012.

"Spring Snow," Poetry 189, No. 2 (November 2006): 114-116. Rpt. Alhambra Poetry Calendar 2009. Bertem, Belgium: Alhambra Publishing, 2008, 123-25.

"Bicameral," The Kenyon Review NS 28, No. 3 (Summer 2006): 53-56. Rpt. in American Alphabets: 25 Contemporary Poets, ed. David Walker. Oberlin: Oberlin College Press, 2006, 168-84; and in The Pushcart Prize XXXII (2008): 414-17.

"The Burning of Madrid as Seen from the Terrace of My House," The Kenyon Review NS 28, No 3 (Summer 2006): 57-62.

"Bright Shadow," The Atlantic Monthly (Fiction Issue, Summer 2006): 49.

"The Day-Breaking If Not the Full Sun Shining on the Progresse of the Gospel in New-England," American Poet 29 (Fall 2005): 18-19.

"My Father Comes Back from the Grave," Poetry 186, No. 3 (June 2005): 197-200.

"Father Mercy, Mother Tongue," Poetry 186, No. 3 (June 2005): 201-203; rpt. in Saying What Happened: American Poetry after the Millennium, ed. Ann Keniston and Jeffrey Gray. Jefferson, NC: McFarland, forthcoming 2012.

"No Lion No Moon," Triquarterly 119 (summer 204): 37-40.

"Elegant," Triquarterly 119 (summer 2004): 33-36; rpt. Wild Reckoning: An Anthology Provoked by Rachel Carson’s Silent Spring, ed. John Burnside and Maurice Riordan. London: Calouste Gulbenkian Foundation, 2004, 91-95; and in American Alphabets: 25 Contemporary Poets, ed. David Walker. Oberlin: Oberlin College Press, 2006, 168-84.

"Maculate," Triquarterly 113 (Summer 2002): 29-31.

"A History Play," Triquarterly 113 (Summer 2002): 31-33. Rpt. in Family, ed. Steven Henry Madoff. Ridgefield, CT: The Aldrich Museum of Contemporary Art, 2002, 67-68.

"Horace II xix," "Horace III xxiii," in Horace, The Odes: New Translations by Contemporary Poets, ed. J. D. McClatchy. Princeton: Princeton University Press, 2002, 153, 221.

"The Horses Run Back to Their Stalls," The Atlantic Monthly 289, No. 3 (March 2002): 78. Rpt. City of the Big Shoulders, ed. Ryan Van Cleave. Iowa City: University of Iowa Press, 2012: 43-44.

"Half Light," Poetry, 179, No. 6 (March 2002): 334-37. Rpt. in The Book of St. Andrews, ed. Robert Crawford. Edinburgh: Polygon, 2005, 123-27.

"Interior of the Oude Kerk, Delft, with Open Grave," Poetry 179, No. 6 (March 2002): 338-40.

"Pass Over," New England Review 22, No. 3 (Summer 2001): 87-90. Rpt. in Poetry Daily (http://www.poems.com), October 6, 2001.

"Cranes on the Seashore," The Kenyon Review NS 23, No. 1 (Winter 2001): 134-39. Rpt. in American Alphabets: 25 Contemporary Poets, ed. David Walker. Oberlin: Oberlin College Press, 2006, 168-84.

"Cord," The Kenyon Review NS 23, No. 1 (Winter 2001): 134-39. Rpt. in Hammer & Blaze: A Gathering of Contemporary American Poets, ed. Heather McHugh and Ellen Bryant Voigt. Athens, GA: University of Georgia Press, 2002, 138-40; in The Pushcart Prize XXVII (2003): 305-07; and in Echoes: Poems for William Meredith, ed. Richard Harteis. Poughkeepsie, NY: Vivisphere, 2004, 30-31.

"Waterborne," The Atlantic Monthly 285, No. 5 (May 2000): 107. Rpt. in The Huron River: Voices from the Watershed, ed. John Knott and Keith Taylor. Ann Arbor: University of Michigan Press, 2000, 107-08; and in The Best American Poetry 2001, ed. Robert Hass, series ed. David Lehman. New York: Scribner, 2001, 95-97.

"Eyes Like Leeks," The Yale Review 88, No. 2 (April 2000): 73-74. Rpt. in The New Bread Loaf Anthology of Contemporary American Poetry, ed. Michael Collier and Stanley Plumly. Hanover: University Press of New England, 1999, 95-96; and in PN Review (UK) 190 (November-December 2009): 38.

"Grammatical Mood," Joe 1, No. 1 (1999): 64-65. Rpt. in Hammer & Blaze: A Gathering of Contemporary American Poets, ed. Heather McHugh and Ellen Bryant Voigt. Athens, GA: University of Georgia Press, 2002, 135-38.

"Petrarchan," New England Review 19, No 4 (Fall 1998): 64-66.

"Noah's Wife," Poetry 173, No. 2 (December 1998): 162-63. Rpt. in The New Bread Loaf Anthology of Contemporary American Poetry, ed. Michael Collier and Stanley Plumly. Hanover: University Press of New England, 1999, 97-98; in Poetry Daily (http://www.poems.com), April 23, 2002; and in Women's Work, ed. Eva Salzman and Amy Wack. Bridgend, Wales: Seren Press, 2008.

"Arnolfini and His Wife," How Words See, ed. Ann Rosener. Menlo Park, CA: Occasional Works, 1998, 20.

"Luke 17:32," "With Emma at the Ladies-Only Swimming Pond on Hampstead Heath," The Kenyon Review NS 18, Nos. 3/4 (Summer/Fall 1996): 1-6.

"Target," The Atlantic Monthly 278, No. 4 (October 1996): 77-78.

"The Woman Who Died in Her Sleep," The Yale Review 84, No. 4 (October 1996): 63-67. Rpt. in New Poems from the Third Coast, ed. Michael Delp, Conrad Hilberry, and Josie Kearns. Detroit: Wayne State University Press, 2000, 76-77.

"Bleedthrough," Poetry 168, No. 4 (July 1996): 218-21. Rpt. in A Visit to the Gallery, ed. Richard Tillinghast. Ann Arbor: The University of Michigan Museum of Art, 1997, 65-68.

"Fish Dying on the Third Floor at Barney's," Ploughshares 21, No. 4 (Winter 1995/96): 69-71. Rpt. in New Poems from the Third Coast, ed. Michael Delp, Conrad Hilberry, and Josie Kearns. Detroit: Wayne State University Press, 2000, 77-79.

"Bad Blood," Partisan Review 62, No. 1 (1995): 107-09. Rpt. in Alhambra Poetry Calendar 2010. Bertem, Belgium: Alhambra Publishing, 2009, 89-90.

"Creation Myth," Colorado Review 21, No. 1 (Spring 1994): 180-85.

"Sold," The Boston Review 19, No. 2 (April/May 1994): 14.

"Bunting," Triquarterly 89 (Winter 1993/94): 210-14.

"For the Taking," The Atlantic Monthly 272, No. 5 (November 1993): 132. Rpt. in PSA News (Newsletter of the Poetry Society of America) 43 (Winter 1994): 27-28, in Nature's Ban: Women's Incest Literature, ed. Karen Jacobsen McLennan. Boston: Northeastern University Press, 1996, 378-80; in New Poems from the Third Coast, ed. Michael Delp, Conrad Hilberry, and Josie Kearns. Detroit: Wayne State University Press, 2000, 75-76; and in American Alphabets: 25 Contemporary Poets, ed. David Walker. Oberlin: Oberlin College Press, 2006, 168-84.

"Salt," Colorado Review 20, No. 1 (Spring 1993): 80-83. Rpt. in The Pushcart Prize XIX (1994/95), 478-80; in The Pushcart Book of Poetry: The Best Poems from the First 30 Years of the Pushcart Prize, ed. Joan Murray. Wainscott, NY: Pushcart Press, 2006; and in PN Review (UK) 190 (November-December 2009): 37-8.

"The Resurrection of the Body," Poetry 162, No. 1 (April 1993): 14-15.

"Line Drive Caught by the Grace of God," Ideas (The National Humanities Center) 1, No. 1 (Summer 1992): 18-23. Rpt. in Washington Post Book World XXVIII, No. 23 (June 7, 1998): 2; in The Extraordinary Tide: New Poetry by American Women, ed. Susan Aizenberg and Erin Belieu. New York: Columbia University Press, 2001, 137-38; in Motion: American Sports Poems, ed. Noah Blaustein. Iowa City: University of Iowa Press, 2001, 97-98; and in Line Drives: 100 Contemporary Baseball Poems, ed. Brooke Horvath and Tim Wiles. Carbondale: Southern Illinois University Press, 2002, 160-61.

"Good News," Poetry 157, No. 3 (December 1990): 129-31. Rpt. in The Boston Review 19, No. 2 (April/May 1994): 14.

"An Arbor," Poetry 157, No. 3 (December 1990): 132-34. Rpt. in Orion 13, No. 1 (Winter 1994): 34-35; and in Writing Ann Arbor: A Literary Anthology, ed. Laurence Goldstein. Ann Arbor: University of Michigan Press, 2005, 226-28.

"Safe," The Atlantic Monthly 265, No. 3 (March 1990): 84-85. Rpt. in The Best American Poetry 1991, ed. Mark Strand, series ed. David Lehman. New York: Scribner, 1991, 73-6, 283-84; and in American Alphabets: 25 Contemporary Poets, ed. David Walker. Oberlin: Oberlin College Press, 2006, 168-84.

"The Bad Physician," The Atlantic Monthly 259, No. 1 (January 1987): 67. Rpt. in Anthology of Contemporary U.S. Poetry (bilingual edition in Urdu and English), ed. Kevin Prufer. Islamabad: Pakistan Academy of Letters, 2008.

"Whale Washed Ashore at Ancona," The Iowa Review 16, No. 1 (Winter 1986): 178-79.

"For My Father, Who Would Rather Stay Home," Partisan Review 53, No. 4 (1986): 577-80. Rpt. in Ideas (The National Humanities Center) 1, No. 1 (Summer 1992).

"Malbecco," Agni Review 22 (1985): 95.

"Blazon," Seneca Review 14, No. 2 (1984): 35-36. Rpt. in Seneca Review 25, No. 1 (25th Anniversary Retrospective) (1995): 51-52.

"I See a Voice," Seneca Review 14, No. 2 (1984): 37-38.

"Bachelors' Wives," Ploughshares 10, No. 4 (1984): 74-75.

"Saints' Logic," Grand Street 3, No. 3 (1984): 114-15. Rpt. in The Boston Review 19, No. 2 (April/May 1994): 14; in Poetry Daily (http://www.poems.com) (November 23, 1997); in The Extraordinary Tide: New Poetry by American Women, ed. Susan Aizenberg and Erin Belieu. New York: Columbia University Press, 2001, 136-37; and in Poetry Daily: 366 Poems from the World's Most Popular Poetry Website, ed. Diane Boller, Don Selby, and Chryss Yost. Naperville IL: Sourcebooks, 2003, 377.

"Mother Ruin," The Atlantic Monthly 253, No. 2 (February 1984): 56. Rpt. in Anthology of Magazine Verse and Yearbook of American Poetry (1985); and in The Extraordinary Tide: New Poetry by American Women, ed. Susan Aizenberg and Erin Belieu. New York: Columbia University Press, 2001, 138-39.

"Halfe a Yard of Rede Sea," Virginia Quarterly Review 59, No. 2 (Spring 1983): 245-46.

"Goering at Nuremburg," Antaeus No. 47 (Autumn 1982): 87-88. Rpt. in Anthology of Magazine Verse and Yearbook of American Poetry (1984).

"Maudlin; or, The Magdalen's Tears," Antaeus No. 47 (Autumn 1982): 89-90.

"Ex Machina," New England Review 4, No. 4 (Summer 1982): 594.

"The Weather," Poetry Now (1981).
Rpt. in Anthology of Contemporary U.S. Poetry (bilingual edition in Urdu and English), ed. Kevin Prufer. Islamabad: Pakistan Academy of Letters, 2008.

"Egress," "Neck Verse," Poetry Now (1981).

"De Arte Honeste Amandi," The Iowa Review 12, Nos. 2/3 (Spring/Summer 1981): 134-36. Rpt. in Extended Outlooks, ed. Jane Cooper, Gwen Head, Adalaide Morris, Marcia Southwick. New York: Macmillan, 1982, 134-36.

"To Albert Speer," The Iowa Review 11, Nos. 2/3 (Spring/Summer 1980): 191.

"Wife," "Frame," Poetry 136, No. 2 (May 1980): 77-78.

"The Three-Legged Dog at the Heart of Our Home," Poetry 136, No. 2 (May 1980): 76. Rpt. in Anthology of Contemporary U.S. Poetry (bilingual edition in Urdu and English), ed. Kevin Prufer. Islamabad: Pakistan Academy of Letters, 2008.

"Beggar-My-Neighbor," "Much Missed," Crazy Horse 20 (Spring 1980): 36-39.

"Man Sitting in the Sun," "Without You," Ohio Review 20, No. 2 (Spring/Summer 1979): 33.

"Vladimir Horowitz, Clementi's Sonata Quasi Concerto, Opus 33," Quarterly West, No. 9 (Spring/Summer 1979): 67.

"Fire in the Conservatory," Field 20 (Spring 1979): 18-19.

"Russia, Morocco, Peru," Ploughshares 5, No. 1 (1979): 56.

"One More," "A Thursday in November, 5:00 PM," Ironwood 11 (Spring 1978).

"Rain," Field 17 (Fall 1977): 19.

"Alone," "Each Day," Shenandoah 28, No. 4 (Summer 1977): 51.

"Norway," Field 14 (Spring 1976): 18-19. Rpt. in Best Poems of 1976 (Borestone Mountain Poetry Awards 1977): 41-42; and in American Alphabets: 25 Contemporary Poets, ed. David Walker. Oberlin: Oberlin College Press, 2006, 168-84.

"Illinois Again," Pocket Pal (Fall 1975).

"The Note," "Bowls," "Closet," Field 11 (Fall 1974): 56-58.
 

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