Spring 2006 Program
Meetings / Spring
2006 Meeting Site /
7:00 PM: Optional Chapter Dinner, email jbriscoe@butler.edu to join.
SATURDAY MORNING
Dr. Lisa Feurzeig (Grand Valley State University), chair
8:30 AM Registration and Coffee
9:00 AM – 11:00: Music, Theory, and Style
9:00 Early Schenker Reception through English-Language Writings Prior to the Mid-1950s – David Carson Berry
9:30 Cyclic Integration in the Classical String Quartet: Haydn’s Op. 20, No. 2 Reconsidered – Jennifer Hambrick
10:00 The Soloist’s Role During Tutti Sections of Mozart’s Concerti for Violin and Woodwinds: a Reevaluation – Carey Campbell – University of Minnesota
10:30 Berg Before Berg: Romanticism in the Jugendlieder (1901–1904) – Sara B. Adams – Madisonville Community College
11:00 BREAK
11:15 – 12:15: Music and Literature
11:15 Voice and Illusion: Strauss, Falla, and the Quixotic Search for Musical Language – Julia Randel, Hope College
11:45 “Ursprung ist das Ziel”: Anton Webern’s Reception of Karl Kraus – Jerry M. Cain – University of Iowa
12:15 LUNCH
Saturday Afternoon Sessions
Dr. James Borders (University of Michigan), Chair
1:45 – 3:15: Music at Court
1:45 Expressions of power and meaning in Jacob et Rachel by Jacquet de la Guerre – Lisa Hooper
2:15 Music (Un)maketh the (Wo)man: Anne Boleyn’s Musical Reputation from the Scepter to the Scaffold – Nicole Ottjes, University of Minnesota – Twin Cities
2:45 Marching to the Beat of a Different Drummer: An Ethnographic History of Timpanists in Early Modern England, 1542-1660 – Andrew R. Martin, University of Minnesota
3:15 BREAK
3:30 – 5:00: Music, Theater, Ritual
3:30 “Tout, dans ses charmes, est dangereux:” Physical and Musical Gestures in French Pantomime, 1748-1773 – Sin-yan Hedy Law, University of Chicago
4:00 Conceiving a National Opera: Weber as Novelist and Critic – Kevin Burke, University of Cincinnati
4:30 Viezzer's Passio: an example of self-produced oratorio in late twentieth-century Italy – Francesco Dalla Vecchia, University of Iowa
5:00 Business Meeting (Election of Officers)
5:30 Hora Felix
9:15–12 Noon Music in the Americas
9:15 “Into my Blood”: Louis Armstrong the Singer – James D. Leach, Boston University
9:45 Juan Bautista Plaza, Venezuelan Musicological Pioneer – Marie Elizabeth Labonville, Illinois State University
10:15 Walter Kaufmann and the Winnipeg Ballet: A Fruitful Collaboration Quickly Forgotten – Albrecht Gaub, A-R Editions
10:45 Break
11:00–12 Noon Immigrant Musicians in Germany
11:00 “Even Uncle Sam Has His Little Heart and Can Produce Good Artists”: An Unsung American Opera Pioneer – Luis Fernando Lopes, Indiana University
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