Spring 2003 Program
Meetings / Spring
2003 Meeting Site /
Session I: Saturday: 9:30-12
Music in France and Italy, ca. 1171-1871
Chair: Edward Kottick
Tracing Veritatem: From Plainchant to Motet Family
Danielle Pacha, Washington University
Costanzo Festa's Deus venerunt gentes: A Sixteenth-Century Axial-Tenor Motet?
Tim S. Pack, Indiana University
Music Criticism in Italy
during the Second Half of the Eighteenth Century ossia
Too Many Ornaments, Too Many Instruments, and Too Many Notes
Kurt Markstrom, University of Manitoba
Verdi's Italian Music: Nationalism and Music Education in SecondoOttocento Italy
Roberta M. Marvin, University of Iowa
Session II, Saturday, 2-4:30
Northern European Music in the 19th Century
Chair: Susan Filler
Haydn: A Nature Boy?
Cathryn Wilkinson, Concordia University-River Forest
Halfdan Kjerulf and the Emergence of the Norwegian Art Song
Cathrine Blom, University of Illinois at Urbana-Champaign
Standing "on his own feet": Rimsky-Korsakov's Snegurochka in the Eyes of His Contemporaries
Gregory Halbe, Ohio State University
On the Crossroads: Repertoire and Politics at Mamontov's Enterprise
Olga Haldey, University of Missouri-Columbia
Session III, Sunday, 9-11:30
Americans at Home and Abroad in the 20th Century
Chair: Charles Atkinson
Henry Cowell's Ongaku and a Transethnic Basis for the Tone Cluster
Peter Schimpf, Indiana University
An Impudent American in Paris: John Vincent and Nadia Boulanger, 1935-37
Craig B. Parker, Kansas State University
Sidney Bechet, Jazz, and the Historiography of Race
Gabriel Solis, University of Illinois at Urbana-Champaign
Singing a New Song: the Influence of Gospel Music in Shaping a Model for Black WomenÕs Preaching
Roxanne R. Reed, Miami University
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