Fall 2005 Program
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PROGRAM FOR CHICAGO MEETING
MIDWEST CHAPTER
AMERICAN MUSICOLOGICAL SOCIETY
1-2 October 2005
SATURDAY MORNING, 9:00 AM – Noon
8:30 Registration, Coffee
9:00 AM – Noon
Dr. Lisa Feurzeig, chair
Performance Issues
9:00 David Krakauer’s “Klezmer Madness!”: Ethnic Identity in the “Downtown” Scene – Randy Goldberg, Indiana University
9:30 Emulation, Originality, and the Aesthetics of Collegiate A Cappella – Joshua S. Duchan, University of Michigan
10:00 Beethoven’s Portrait of the Theater an der Wien’s Orchestra in his Choral Fantasy, Op. 80 – Theodore Albrecht, Kent State University
10:30 break
10:45 On the Ritenuto in Shostakovich’s Preludes and Fugues – Mark Mazullo, Macalester College
11:15 Uncovering Instrumentation Practices in the Eighteenth-Century Charleston Musical Theater – Timothy M. Crain, Indiana State University
11:45 A Report on a New Edition of the Earliest Two-part Music – Hans Tischler
12:15 Lunch
SATURDAY AFTERNOON, 1:45 – 5:00 PM
Dr. James Borders, chair
1:45 The Hymn Complexes of Bologna Q15 – Michael Alan Anderson, University of Chicago
2:15 David of Augsburg and the Franciscan Voice of Praise in Munich Clm 16072 – Peter Loewen
2:45 Double entendres in German Renaissance secular polyphony – Jennifer Ward
3:15 Intertextuality in Josquin’s Five- and Six-Voice Chansons: A Study in Poetic and Musical Relationships – Vasso Koutsobina, University of Cincinnati, College-Conservatory of Music
3:45 break
4:00 Blurring Boundaries: Libby Larsen’s Opera Mrs. Dalloway – Anya Holland – University of Cincinnati College-Conservatory of Music
4:30 The Woodbird's Song in Act III of Götterdammerung: Recapitulatory Transformations of the Wondrous – Joseph E. Jones, University of Illinois, Urbana-Champaign
5:00 Business meeting
SUNDAY MORNING, 9:15 AM – Noon
Dr. Craig B. Parker, chair
9:15 Samuel “Golden Rule” Jones and the Place of Music in Urban Reform – Mary Natvig, Bowling Green State University
9:45 “Étrange n’est-ce pas?” The Princesse Edmond de Polignac, Erik Satie’s Socrate, and a “Lesbian Aesthetic of Music” – Samuel N. Dorf, Northwestern University
10:15 break
10:30 Michael Moore's Republican Rhetoric: The Politics of Music in Fahrenheit 9/11 – Michelle Davidson, University of Cincinnati
11:00 Brahms, Böcklin, and the Gesang der Parzen – Eftychia Papanikolaou, Miami University
11:30 Unlearn: Musical Representations of Gender, Sexuality, and Rape in John Singleton’s Higher Learning – Bethany Jo Smith
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