Fall 2000 Program
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PROGRAM, FALL MEETING 2000
Saturday, 23 September
8:30 Registration

Repertoire Studies
James Parsons (Southwest Missouri State University), Chair

9:00 Jennifer Thomas (University of Cincinnati), "The Formation of an International Motet Repertory (1480-1560)"
9:40 Jonathan Saylor (Wheaton College), "Biagio Marini's Affetti musicali (1617) and the Early Trio Sonata"

10:20 BREAK

10:30 Susan Youens (University of Notre Dame), "Ego, Ehrgeiz, and the Lied: Schubert's Pyrker Songs"
11:10 Julie McQuinn (Northwestern University), "Bilitis Remembers: The Erotic, the Exotic, and the Musical Time Warp"

11:50 LUNCH

Cultural and Gender Politics
Dane Heuchemer (Kenyon College), Chair

1:30 Douglas Salokar (Bloomington, IL), "Judei vel dyaboli: The Soundscape of Antisemitism on the Early Modern Stage"
2:10 Keith Clifton (University of Central Arkansas), "Anarchy at the Opˇra-Comique: Hysteria and Gender Politics in Ravel's L'Heure espagnole"

2:50 BREAK

3:00 Christina Baade (University of Wisconsin-Madison), "'Victory through Harmony': Dance Music for Workers in Wartime Britain"
3:40 Mark Mazullo (Macalester College), "A Day in the Life of a Creep: Radiohead, the Beatles, and the Politics of Authenticity"

4:20 BUSINESS MEETING

Sunday, 24 September

Historiography, Historical Perspectives
Lawrence Bennett (Wabash College), Chair

9:00 C. Matthew Balensuela (DePauw University), "The Borrower Is Servant to the Lender: Examples of Uncited Borrowings between Anonymous Theoretical Treatises"
9:40 Edward Kottick (University of Iowa), "Once Again: Expressive Devices on Eighteenth Century Harpsichords"

10:20 BREAK

10:30 James Briscoe (Butler University), "The Early Critical Reception of Debussy in the United States: Toward Modernist Hearing"
11:10 Richard Dowell (Plainfield, IN), "Historical Research in the Style, Notation, and Compositional Process of George Crumb"

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