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"His is stylish playing in the grand manner, ever attentive to the lyric line, sensitive, alert to dynamics and colour."

Henry Roth, Strad magazine

"Elliott, to whom the concerto is dedicated, gave a splendid
performance: vigorous and assertive in the fast movements, remarkably graceful, warm and lyrical in the middle movement. He dispatched the stiff challenges of the cadenzas with precision and clarity."

Roy Close, Minneapolis Star Tribune

"The rich beauty of Elliott's instrument in the slow movement was soul-calming."

Mike Dunham, Anchorage Times

"Here is an artist whose concept of sound is a vital aspect of his vision of the music; moulded and frequently restrained in the service of the composition, as opposed to generating a heroic vision of the performer alone. Elliott demonstrates his mastery of both the technical and cerebral aspects of the music in these highly imaginative, and often deeply penetrating interpretations."

Michael Jameson, Strad Magazine

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