The Future of
Performance Studies
March
21, 5 pm., 2550 Frieze Building
Informal talk with Diana Taylor
Diana
Taylor will be available for an informal discussion with graduate students and
faculty. The discussion will focus
on the field of performance studies, Dr. Taylor's work at the Hemispheric
Institute, and the problems of working across cultures and across disciplines.
Students and faculty will be invited to discuss their own work and ask
questions about Taylor's current research. This precedes Taylor's talk at the CWPS on Wednesday. The
forum is small, but please invite any interested graduate students or
colleagues.
March
22, 6 pm., Center for World Performance Studies
Powerful
Performatives: From 'America' to 'Hemispheric'
Talk by Diana Taylor

Where:
1636 School of Social Work Building
"Powerful Performatives: From 'America' to 'Hemispheric'" underlines
two inter-related points: 1) America, Americas, and hemispheric are not a
'place' but a practice and 2) there is a relationship between how we see and
live 'America' and the naming and conceptualization of a field of study. Our
lens, in other words, creates our object of analysis rather than the other way
around. This talk looks at the production of America as an object of
analysis, and what might be at stake, disciplinarily, in linking American
Studies to Hemispheric Studies.
Diana Taylor is a Professor of
Performance Studies and Spanish at New York University. She is the
founding Director of the Hemispheric Institute of Performance and Politics,
Contributing Editor of TDR, and
Associate Editor of Theatre Journal.
Her books include The Archive and the Repertoire: Performing Cultural Memory
in the Americas. (Duke, 2003), Disappearing
Acts: Spectacles of Gender and Nationalism in Argentina's "Dirty
War," (Duke, 1997), and Theatre
of Crisis: Drama and Politics in Latin America (Kentucky,1991).
This talk is free and open to the public.
Reception to follow.
March
29, 6 pm, 1644 School of Social Work Building
"Folklore,
Ethnography and Performance Studies"
John Hill, "The Imaginary World of Russian Folk
Performance," PhD Candidate in Theatre and Drama
This presentation examines how accepting the given conditions (in
Stanislavsky's definition) of an imaginary universe helps facilitate
embodiment--becoming another being/character.
Irina Niculescu, "Tradition and contemporary
puppet theatre: the work of theatre director Irina Niculescu"
Schooled in The Academy of Performing Arts in Prague, Czech Republic, Irina
made her debut in Tandarica Puppet Theatre in Bucharest Romania, where she
worked as a resident director for ten years. Irina directed shows and taught
puppetry in Romania, Poland, France, Spain, Switzerland, Norway, Canada and at
the O'Neill Theatre Center in Connecticut. She will talk about the influence of
tradition on her work; she will describe her approach to "the puppet as a
metaphor" and contemporary research in European puppet theatre. The work
will be illustrated by video clips from her work.
Sigit Adji Sabdoprijono,"Wayang Sandosa: shadow
puppet theater in Indonesia," Visiting Artist-in-Residence at UM
I will be discussing the history and practice of multimedia shadow puppet
theater in Indonesia, the wayang sandosa. I will describe the difference between
this theater and the traditional shadow puppet theater, wayang kulit, the
iconography of the puppets, and a typical story, illustrated by video or DVD
clips.
April
5, 5 pm, 1636 School of Social Work Building
Performing
the Self: Ethnography and Autobiography as Performance
Jim Leija, MFA
student in Art and Design
Larry
LaFountain-Stokes, Assistant Professor of American Culture.
April
19, 5 pm, 1636 School of Social Work Building
Performance, the Body, the
Archive, and the Scholar
Problems of Documentation and
Analysis in Performance Studies
A discussion of current
research problems with:
Kristina Pietrosanti, PhD Student
Middle and Near Easter Studies – Ms. Pietrosanti will discuss her
current research on historical constructions of the body in the Middle East.
Ozgen Felek, PhD Student
Middle and Near Easter Studies – Ms. Felek will talk about her
work on staging Ottoman poetry.
D. Ross, PhD Candidate
Theatre and Drama – D. Ross has just returned from a year as a
Fulbright Scholar at the University of Sydney where she observed rehearsals,
studied rehearsal documentation, and considered the political implications of
performing disability on stage.