COURSE DESCRIPTION
“Veterans’ Video Portrait Project” is a collaborative studio
course that fosters one-on-one relationships between students and Veterans
with the goal of creating video portraits based on the past and current life
of the
American Veteran. Through a variety of activities, readings, research, and
screenings, students will gain a personal understanding of military service and
the return
home, as well as the historical, cultural and political contexts of different
wars. Students
will develop two videos based on their research: one for the Library
of Congress' (through the American Folklife Center) "Veterans
History Project," a
National
Archive
which
is
currently seeking material for its database, and one short, experimental
video documentary. The class will culminate in a public reception and screening
of
the resultant videos. The length of the resultant videos can range from
5 - 30 minutes.
Course purpose and issues: Each veteran returning
home from deployment abroad has unique experiences and perspectives from
their
military experience
and their adjustment
to civilian life back home. More often than not, the general public and
college students know every little about the lives of those who have
sacrificed life
and limb. This class offers the student the unique experience to meet,
learn about, and document living veterans’ lives.
What does it mean to “serve
our country?” What is contemporary warfare? What is it like to
return home to civilian life? How has the veteran experience changed
over the
years? What
are the political and philosophical views of those who have served in
the military and/or fought in a war? How are they different from or similar
to your own? For students, the interaction with the veteran forms the
core of their project and a productive relationship with him or her is
extremely important.
For
the veteran, this class offers a chance to document his/her story
and have it permanently archived in the Library of Congress. The
veteran can
share his/her
life experience and views about the military with those who are eager
to learn about it.
For both the student and veteran, this class is a chance to forge a
unique and lasting friendship.
Veteran Participation and Class Structure: Veterans’ stories
and lives are the content of the work done in this class. In addition
to being interviewed,
a veteran might also want to contribute visual materials that will
enrich the video, such as: photos, letters, drawings, audio or visual
recordings,
personal
objects, etc. He/she might also want the student to document a current
event or gathering occurring in his/her life right now.
Each participating veteran will be paired with one student (sometimes
two, if that is appropriate) for the semester. The veteran and the
student will
schedule
at least four to five one-hour taping sessions (more is always better,
of course!)
during September and October. These should occur at times
mutually agreed upon by both student and veteran (this may include
evenings and/or
weekends). The
student will be responsible for all the technical aspects of the interview
including the camerawork and recording (mini-DV tape), lighting, and
microphones. The structure
and content of the recorded sessions will initially follow the guidelines
of the Veterans History Project/Library of Congress, and then branch
off into various
directions/topics as dictated by the veteran. Both the veteran and
the student should discuss and mutually decide what topics to cover,
with the understanding
that it is completely up the veteran to decide what he/she wants to
address in the video. The student will then edit the materials he/she
has gathered
and produce
a draft of the video portrait for the Library of Congress. Subsequent
meetings
between student and veteran in November and December will
be used to review the drafts of the video, brainstorm, and make suggestions
for changes.
The final
product is due December 12, 2006. A public screening will take place
shortly after, TBA.
For more information see: http://www.loc.gov/vets/vets-home.html
TECHNICAL/SOFTWARE ISSUES
Projects will be completed using mini-DV cameras (3CCD) and tripods
loaned from the
School of Art and Design. If you have access to your own equipment,
you are welcome
to use it, but it
should
be of the highest quality possible. Lights and microphones can be borrowed
from the Digital Media
Commons in the
Duderstadt Center on North Campus. We will edit video using Apple's
Final Cut Pro software. Additional image and audio tools might also
be useful in
the creation of your piece, including Photoshop, Sound Studio, and
Garage Band. The
class will cover video editing basics, as well as DVD creation. If
you desire further tutoring in digital imaging, there are plenty of workshops
available
through the Digital Media Commons.
We will use the Lab Fee for this course to purchase external, portable
harddrives for each student for storage of your projects. This drive
is yours to keep.
ASSIGNMENTS/GRADING
This class is primarily focused
on the production of two video works based on the student's interviews
with their chosen veteran. Thus, completion of these is required to pass
the course.
You must also complete several research assignments meant to increase
your knowledge about military conflicts, historical events and the cultural
milieu
of each
war. Each student is required to post to the course BLOG
("Veterans
Video" on
Blogger) once a week in order to share his/her experiences about the
class.
| Video Portrait #1 |
40% |
Documentary video using interview footage and other
documents, images, texts, sources
Final project must be submitted on both DVD-R and mini-DV tape |
| Video Portrait #2 |
20% |
Experimental video using same sources
Final project must be submitted on both DVD-R and mini-DV tape |
| Research,
homework, & presentation |
30% |
Homework and presentation having to do with the historical,
cultural, and political aspects of your veteran's war service. |
| Attendance,
Participation, & Blogging entries |
10% |
Full
participation in class discussions and presentations is expected |
CRITERIA for
grading/evaluation of video projects:
1) Technical control: quality of images, sound quality and levels,
if camera was used: attention to focus and exposure, overall
2) Choice and control of aesthetic elements: composition and framing,
lighting, editing (pacing, continuity, experimental choices), juxtaposition
of sound and image, etc.
3) Creativity: imaginative use and expressive control of the medium
as an ART tool
4) Logistics: Project length, professional presentation of countdown,
titles, credits
5) Content: A serious engagement with ideas and issues and the ability
of the piece to communicate an idea to the viewer
CLASS
REQUIREMENTS
1.
Completion of all assignments
2. Written responses to articles, readings, screenings
3. Class participation includes
participation in class discussions, critiques. Full and punctual attendance.
Healthy attitude of engagement, self-motivation, and an interest in learning.
LETTER
GRADE STANDARDS
A: Outstanding production work on all projects, very thorough and clearly
presented research of war context and related issues; a demonstrated excellence
in production and editing
skills; imaginative and
inventive
use of video
to communicate the ideas clearly to audience; all work finished on time;
punctual and regular attendance; an
ability to critique the strengths and weaknesses of other projects; outstanding
participation in all aspects of the class.
B: Above average work: a proven ability in production and editing; strong
research of war context and related issues; project deadlines met; projects
have good idea and/or basic editing but need further
refining of either technical or conceptual issues;an excellent attendance
record; strong participation in critiques and class.
C: Average production work: an acceptable grasp of editing and production
technique; minimal research of war context and related issues; project deadlines met; projects are in need of much tighter
editing control and/or clearer concept; 70% average
on
written
materials;
a reasonably good attendance record; a basic ability to critique productions
and average participation in class.
D: Below average work with significant weaknesses in one
or more areas: meeting deadlines; understanding production
concepts; poor or no research of war context and related
issues; critiquing
productions; 60% or lower average on written materials; poor
attendance; little
class participation.
E: Below acceptable requirements of the course.
ATTENDANCE
POLICY
Attendance will be regularly checked. Excessive tardiness
will not be tolerated. 3 unexcused absences will result
in a failing grade.
To be considered “present” you must:
-Come to class on time,
-Come to class prepared to work, with materials in hand
-Speak at least once in class discussions about work other than your own.
3
LATES = 1 ABSENCE, 2 UNEXCUSED ABSENCES RESULT IN AN E GRADE,
ABSENCE FROM CRITIQUES LOWERS ASSIGNMENT GRADE BY ONE GRADE.
CTOOLS
URL: Documents
(course schedule, syllabus, assignments, links) are available
on the “Ctools” site: https://ctools.umich.edu/portal
Click on “My Courses” to navigate to our site. You’ll
need to check this site regularly for important announcements, downloadable
readings, presentation schedules, assignments, calendar events, etc. If
you are absent, it is your responsibility to check the “announcements” and “schedule” features
on the site to confirm what is due and/or what you need to bring to class.
READINGS
AND BOOKS
All of the readings for this class
will be available electronically. It
is the student's responsibility to print them out and bring them
to class for discussion.
A) Mirlyn>COURSE
RESERVES
The University of Michigan Library
now scans the articles and puts them online under COURSE RESERVES.
To download SOME of the articles required for this class,go to
the Mirlyn
main page>Course Reserves (upper right corner)> then
type in any information about the article OR our class: ArtDes
310 Sec. 02, or even my last name: Kumao. They
should also be listed on C-Tools under LIBRARY RESERVES.
OR
B)
C-Tools>Resources>Readings
Other
recommended books
Final
Cut Pro 5 HD for Macintosh by Lisa Brenneis (2005), Peach
Pit Press
EQUIPMENT
AND SUPPLIES
We
will use the Lab Fee for this course to purchase external, portable
harddrives for each student for storage of your projects. This
drive is yours to keep.
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